ext_3819 (
alankria.livejournal.com) wrote in
50books_poc2010-06-22 11:01 am
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2. Faisal Tehrani, The Prau With The Silent Soul (Bedar Sukma Bisu)
It is occasionally about the first thing.
While, yes, Wefada Marwan is put in charge of her family's business after a succession of accidental deaths, the novel only shows her actually taking charge on pages 110-122 and 169-185, with a few smaller portions dedicated to her anxiety over the large responsibility. In those two chunks, she's shown to be a capable woman who patches up a bad family-business relationship and firmly tells a non-profitable arm of the company that they need to shape up.
The majority of the novel is about the various members of Wefada's family, by blood or by marriage: how they met, how they fell in love (her views on her second husband are followed, a chapter later, by his views on her, sometimes showing two halves of the same scene), how they died or found out about a death, how they suffered, how they dealt with business problems (Wefada narrates that her brother Waqeel made a mistake, and a chapter later there's a flashback to his decision-making leading up to that mistake, and towards the end there's a flashback to the involvement of her uncle). It's quite dull, especially the repetitiveness. Wefada is the only character that I really cared about, but even she's not especially compelling; I liked her uncle, too, but he only gets one scene. The "Stories of voyages in the brilliant era of the Malay-Muslim civilisation" mentioned on the back never materialise.
I did find the characters' faith (Islam) interesting, in the way it affects their decisions and plays an integral role in their lives - largely, I suspect, because I rarely read books about Muslim characters. Especially attention-grabbing is the integration of Islamic practices into economics, as championed by Wefada - Islamic law forbidding interest came up a lot - but this, frustratingly, is usually skimmed over. The rest of the economics (and there's a fair bit of it) is basic, high school level stuff, that I enjoyed only in the way it reminded me of things I already knew. The people discussing it are a renowned Professor and successful businessmen, so the simplicity of their crowd-pleasing arguments is a bit ridiculous. The only other bits I liked were snippets of Malaysian boat-building history and the page about Wefada's belief that Alexander the Great visited Malaysia. The rest, I found boring.
On a line level, the book is riddled with typos, especially concerning the placement of speech-marks, and there are no breaks when the scene jumps across time and country and character-focus.
And, come the end of the novel, I realised it doesn't even possess a narrative arc. Through jumping about, it's shown Wefada just begin to take over the company, alongside various other characters' histories and relationships (and it explains a couple of family mysteries, but only for the reader's benefit; Wefada never learns the truth), and ends without even resolving whether a certain character has just died. (Perhaps the final pages are a metaphor for his survival, perhaps we're meant to assume he died because people on ships captured by pirates are often shot - who knows!) It's as if the author was told, You have x pages to fill, and on getting close to the final page, panicked, wrote in some waffle about the soul of the titular ship, and that was that.