![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png)
The Art of Sally Morgan, Intro by Jill Milroy, 1996
This is a compilation of Sally Morgan's art from the period 1986 to 1995. Her art is a beautiful example of contemporary Aboriginal art. The art is two dimensional and uses a bold palette of mostly primary colours. She works mostly in acrylics or screen printing.
Some of her pictures are obviously political, such as *Another Story* (1988) which shows a squatter's house at the top, with the bones of Aboriginal people in the ground. But, when you look at them thoughtfully, they all deal with the distribution of power in some way (surely the most meaningful way of considering politics). Take *Dancing Women* (1988), a black and white print of dancing women with stars. The image of women together recurs in her work, referring to her own female-headed family and her belief in the strength of Aboriginal women in maintaining Aboriginal culture.
Really beautiful art that considers contemporary Aboriginal and non-Indigenous issues in Australia.
This is a compilation of Sally Morgan's art from the period 1986 to 1995. Her art is a beautiful example of contemporary Aboriginal art. The art is two dimensional and uses a bold palette of mostly primary colours. She works mostly in acrylics or screen printing.
Some of her pictures are obviously political, such as *Another Story* (1988) which shows a squatter's house at the top, with the bones of Aboriginal people in the ground. But, when you look at them thoughtfully, they all deal with the distribution of power in some way (surely the most meaningful way of considering politics). Take *Dancing Women* (1988), a black and white print of dancing women with stars. The image of women together recurs in her work, referring to her own female-headed family and her belief in the strength of Aboriginal women in maintaining Aboriginal culture.
Really beautiful art that considers contemporary Aboriginal and non-Indigenous issues in Australia.