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48. B. B. Lal, The Sarasvati Flows On: The Continuity of Indian Culture

A short, easy-to-read (except for one chapter which seems to come from another book entirely) pop non-fiction summary of the Indus or Harappan Civilization, a Bronze Age culture located in the modern countries of India and Pakistan, which had its own writing system, cities, and art, and traded with cultures as far away as Mesopotamia. This is a very nice introduction to the topic, which covers most of the main points and has lots of nice photographs. It's shorter and probably a better book for the non-academic audience than most other summaries of the Indus I know of; on the other hand, Lal is seriously influenced by his personal politics in choosing what and how to discuss. But for someone who is new to the topic, this would be a great book.



49. Lisa Trivedi, Clothing Gandhi's Nation: Homespun and Modern India

A really fascinating investigation of one aspect of the Indian Independence movement. Gandhi was highly in favor of khadi- homemade thread and cloth- and thought that everyone who wanted to see India out from under British rule should not only use and wear khadi exclusively, but should spend half an hour a day making it. He thought that this would restore dignity to the working class, as well as provide a way for India's economy to escape the influence of the British factory system. Needless to say, not everyone actually wanted to spend that much time spinning thread, and the debates around the topic resemble the modern arguments over buying local/fair-trade/organic/etc. Trivedi provides a great account of these debates, the way they changed over time, and how khadi continues to function in the Indian political sphere; she even includes political cartoons about it! This is a non-fiction academic book, but very accessible; highly recommended.


50. Kajri Jain, Gods in the Bazaar: The Economies of Indian Calendar Art

Calendar art (aka bazaar art aka chromolithographs aka poster art) is a particular style of vividly colored, mass-produced art popular in India, particularly in calendars and advertisements, usually depicting religious images. Jain's book takes this often-ignored art seriously, investigating multiple realms of the topic: who produces calendar art? who buys it? how has it changed over time? what do artists say about it? how does it circulate? Despite the subtitle, she really doesn't address the economy of it, but instead focuses on meanings and interpretations. This book is another non-fiction academic title, and one a bit harder to get into than Clothing Gandhi's Nation. But it does have lots of pretty pictures!
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