Mar. 7th, 2009

nwhyte: (books)
[personal profile] nwhyte
I'm glad to have discovered this community, though a little worried about how long it will take me to reach 50 books!

I've been bookblogging since late 2003, and would like to contribute these 26 reviews )

More to come as I work through my shelves...
ext_2208: image of romaine brooks self-portrait, text "Lila Futuransky" (books)
[identity profile] heyiya.livejournal.com
This is my first review here. It got a bit long and involved... If anyone else has read this, I'd really love to talk about it!

Black No More by George S Schuyler (many spoilers) )

While I'm here, I have a question. I am working on my dissertation prospectus and don't have a lot of time for fiction and other kinds of pleasure reading, alas, but my diss has a significant contingent about race, colonialism and the way they relate to science fiction, especially with reference to gender and sexuality, so I am learning a lot from academic books by POC at the moment. Would people be interested in reading reviews of texts like this and this?
[identity profile] sweet-adelheid.livejournal.com
#7 - To the Edge of the Sky, by Gao Anhua (Penguin, 2001)

I can't help but compare it to Wild Swans, and for a few reasons I don't think Gao quite reaches Chang Jung's standards, but I still found the book really interesting. Especially the view of Chinese PLA life during the Cultural Revolution, and the slow opening up of foreign trade. My "review" here.

#8 - The Amah, by Laurence Yep (Penguin, 1999)
I'd previously read an historical fiction book by Yep, but when I was first looking along the library shelves for this challenge, all we had was his fantasy. And I'm not much for dragons. But then this one, a family story with "ballet book" elements turned up, and I'm so glad it did. More here.
[identity profile] quasiradiant.livejournal.com
This is my first post here. Thought I'd raise my head and do more than just lurk in the shadows.

So, for my first post, two books of poetry. I find poetry very difficult to discuss like this, even though I read a great deal and enjoy it a lot. I'll give a shot, though, in case there are any other poetry lovers out there looking for something new.

Dread, by Ai )

+

Song of Farewell, by Jane Okot p'Bitek )
[identity profile] coraa.livejournal.com
Patternmaster, by Octavia Butler

This was the first book of the Seed to Harvest quartet by publication date -- and the last one by internal chronology. I read it first for two reasons. One, unless I get a strong indication otherwise, I tend to read things by publishing order -- partly because I like to see the author develop, but also partly because there's more a guarantee that they make sense in that order, because they were presumably written to make sense to people who were reading them as they came out. (Unless they were very bad books indeed, but I don't expect that from Butler.) Two, because my general inclination was reinforced by other people, who said that they read better in publication order. And having read all four books, I think they were right, and I too would recommend that you read them in publication order rather than internal chronology.

I'm going to try to refer to each one without spoilers for the others, and then I'll post about all four of the books considered as a whole, because they stand along perfectly well but gain a lot of richness and depth when you consider them in context.

So: Patternmaster.

Patternmaster is set in... I can't actually tell how far in the future, because the changes to our world are so dramatic that it could be a hundred years or five hundred. (Indeed, I initially thought that it was set on another planet, the world was so different than the one I know.) Patternmaster is set in a future in which the human species has split into two... I was going to say "factions," but really, they're actually two new, separate species: the clayarks, people mutated by an alien microorganism, who are strong and tough and fast and make and use weapons and other technologies; and the patternists, who are psionicists of varying stripes, who use mental powers (including telepathy, telekinesis, healing/biomanipulation, and the ability to store memories in objects) instead of engineering as we know it. "Normal" humans -- people like you or me -- also exist; they're called "mutes" and are servants of the patternists. (There are no normal humans among the clayarks, because the clayark disease is extremely infectious.)

As you could probably guess from the title, Patternmaster is from the point of view of a patternist, Teray, who falls afoul of the strict rules of his traditional society and the political maneuvering therein, and becomes an "outsider" (essentially, a slave) to Coransee, an extremely powerful (politically and psionically) master of a House. The book is about his struggle to reassert his independence, and it's about the way he allies with an Independent -- a patternist who isn't subject to any House master, Amber. Amber is powerful, intelligent, and tough -- she's a healer, but she subverts the 'woman healer' stereotype by also being an extremely effective killer -- and, indeed, I think she's the strongest character in the book. The developing relationship between Teray and Amber serves as both the heart and the backbone of Patternmaster

Besides Amber, the most interesting thing about this book for me was the worldbuilding and the society, which is dystopian and yet fascinating, even for me (I'm picky about dystopian/post-apocalyptic futures). I find the nature of the 'disaster' really interesting: not one but two radical changes to humanity. (Indeed, I find it particularly cool that Butler put both the clayarks and the patternists in this world -- either idea could have spawned a series, but both together creates a richness and sense of conflict that would be difficult to achieve otherwise. The patternists and the clayarks both are extremely potent, but neither is quite strong enough to get the upper hand over the other -- and yet their very natures makes it impossible for them to stop fighting.) We see only glimpses of clayark society, because the protagonists see (indeed, for their own self-preservation, kind of have to see) the clayarks as inherently inimical, kill-or-be-killed. But patternist society is extremely interesting in its own right. Patternists live in Houses, run by powerful Masters, for their own protection against the clayarks. Within the house, there's a heriarchy: the Master on top, his apprentices beneath him, outsiders (slaves, but with psionic powers) beneath them, and mutes beneath them. (The position of women is more unclear to me: it appears that patternist women, in Houses with male Masters, are wives of varying degree of status -- it's not clear whether there are any female apprentices or outsiders who are not wives. It's also not totally clear what the status of men and women are in Houses run by women, which definitely exist.)

And then there's the Pattern, a really fascinating look at the way a telepathic society would exit. All patternists are linked together by the Pattern, although for the most part, only fellow House members are closely aware of one another. People who are sympatico, who are compatible in personality and metal attitude, are said to be close together in the Pattern, something that they can feel immediately and instinctively. It's a world in which you can tell immediately whether you're likely to get along with someone -- and that immediate awareness is acknowledged, and used.

Spoilery stuff behind the cut. )

As far as recommendations go: Patternmaster is exceptional science fiction. It's not as good as the books in the series that follow it, which in my opinion get better and better, but it's a good entry point to the series. (And I do recommend that you use it as the entry point: working in internal-chronology order rather than publication order would, in my opinion, be a mistake.)
[identity profile] waelisc.livejournal.com
Both [livejournal.com profile] loneraven and [livejournal.com profile] puritybrown rec'd this recently. I ran to the library to get it after the latest post and enjoyed it greatly. To recap quickly, it's about a young Chinese woman whose parents send her to London for a year to study English. It's in first person, addressed to the British man she met and lived with during most of the year, and the narrative reflects Zhuang's developing fluency in English.

Like [livejournal.com profile] loneraven I did keep wondering why she loved her nameless male lover. And there were a few points during her travels where I was wincing in anticipation of situations turning bad. But overall I admired Zhuang thoroughly: her emerging awareness of her own strengths, her constant insights into the cultural differences facing her.

Here's one bit I liked, an example of the dozens of subtle threads running through this. On her first night in England Zhuang has trouble sleeping and turns the light back on to study:

I study little red dictionary. English words made from only twenty-six characters? Are English a bit lazy or what? We have fifty thousand characters in Chinese.

On one level I just snickered at the comment about laziness. On another level, it's somewhat of a misinterpretation of the two writing systems; English has few letters but many words. But on a third level, it turns out to be a very accurate impression on Zhuang's part, or at least one she keeps finding more evidence for. She is constantly surprised by the amount of time people have to sit about in cafes reading the newspaper, for example, and at other points describes the emphasis in her own culture on devoting every minute of the day to productive efforts.

The fact that her English lover is never named was far more interesting than the man himself. Zhuang spends a lot of time reflecting on the importance Western cultures give to individuality and self-identity, and seems to absorb a good deal of it in her own thinking. The ending of novel is quite ambiguous, though, so I don't think the author was saying this was a good change for Zhuang: just that it happened.

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