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[identity profile] kyuuketsukirui.livejournal.com
Title: The Mzungu Boy
Author: Meja Mwangi
Number of Pages: 150 pages
My Rating: 4/5

Set in British-ruled Kenya in the early '50s, this is the story of Kariuki, a Kenyan boy who becomes friends with Nigel, an English boy who's come to stay on his grandparents' farm during the summer.

What I really liked about this book is how honest it was. While the boys are friends, it doesn't paint an idealistic portrait of their friendship. Being friends doesn't magically make the horrible things that are going on any better, nor does it solve any problems. In fact, it only makes things worse. It's not a story about a white person becoming friends with a person of color and learning to be a better person, either. This is told from Kariuki's POV and Nigel's entitlement and privilege are not glossed over at all.

For example, when they first meet, he insists Kariuki take some fish he (Nigel) caught, even though Kariuki tells him they're not allowed to have fish and that he will get in trouble if he takes them. So of course Kariuki gets in trouble, and Nigel is just la-di-da, whatever, and goes on about his merry way and continues to do the same sort of thoughtless things throughout the book. Another good example is when the villagers are all rounded up in a pen because Nigel's grandfather thinks they've done something, and Nigel just sits there and then when he spots Kariuki, waves blithely at him.

Reading this book, I could imagine how it would have been if written by your typical white children's author and was so, so glad it wasn't.
sanguinity: woodcut by M.C. Escher, "Snakes" (Default)
[personal profile] sanguinity
(In addition to the regular 50 books challenge, I'm going to do 50 short-works, too. Not because I'm an overachiever -- which would be a fair charge -- but because I SUCK at finishing anthologies, yet I still want to point in awe at some of the amazing pieces in said anthologies-I-never-finish-reading. Also, sometimes I run across amazing stuff in anthologies that I don't feel otherwise qualify for the comm. Plus, you know, other stuff.)

(So to kick off, here's a piece I ran across while surfing links for the del.icio.us account...)


1. How To Write About Africa, by Binyavanga Wainaina, published in Granta 92, 2005.

It begins:
Always use the word 'Africa' or 'Darkness' or 'Safari' in your title. Subtitles may include the words 'Zanzibar', 'Masai', 'Zulu', 'Zambezi', 'Congo', 'Nile', 'Big', 'Sky', 'Shadow', 'Drum', 'Sun' or 'Bygone'. Also useful are words such as 'Guerrillas', 'Timeless', 'Primordial' and 'Tribal'. Note that 'People' means Africans who are not black, while 'The People' means black Africans.

Never have a picture of a well-adjusted African on the cover of your book, or in it, unless that African has won the Nobel Prize. An AK-47, prominent ribs, naked breasts: use these. If you must include an African, make sure you get one in Masai or Zulu or Dogon dress.

In your text, treat Africa as if it were one country. It is hot and dusty with rolling grasslands and huge herds of animals and tall, thin people who are starving. Or it is hot and steamy with very short people who eat primates. Don't get bogged down with precise descriptions...
If you can't tell from the excerpt, it's a scything and brutal enumeration of the racist and colonialist tropes that appear in writing about Africa. 'Tis very hard not to quote the whole thing at you, it's so freakin' spot on. (The bit about the gorillas and elephants!) (And one's personal ability to eat bugs!) (And how Africa would be doomed without your book!) (And the proper use of Nelson Mandela quotes!)

Full text is at the title link. Go read it. Seriously.

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