brainwane: My smiling face, including a small gold bindi (Default)
[personal profile] brainwane
A Rising Man by Abir Mukherjee is a mystery written by a Scot of Bengali descent, taking place in 1919 Calcutta: "Desperate for a fresh start, Captain Sam Wyndham arrives to take up an important post in Calcutta’s police force." I agree with this book's politics but it really shows that the author had never written a novel before, in particular in the dialogue. Characters speak their subtext or otherwise exposit in that "unrealistically monologue coherently about national politics for six paragraphs" kind of way. I am a little interested in reading the next books in the series, because maybe the writing will improve.
snowynight: Kino in a suit with brown background (Kino)
[personal profile] snowynight
Title: Ballad of a Shinigami
Author: K-Ske Hasegawa
Author Nationality and race: Japanese
Original language: Japanese
Publish place: Japan
Genre: Fiction
Length: novel
Subject: Fantasy

Amazon summary:Momo is a shinigami (a Grim Reaper), the messenger of death. Unlike the scary dark cloaked man holding a sickle, she is draped in gleaming white--her gown, sickle, hair and all. Accompanied by a black cat named Daniel, Momo takes up a mission to convey human souls to the Great Beyond. She appears before dying people and relieves them from their mortal fears, but she also comforts those who suffer the anguish of losing loved ones in tragedies.

Review: The summary doesn't do the book justice It's more a series of stories linked together by  Momo the shinigami. It sometimes deals with heavy subject such as family abuse but the tone's never overly maudlin. Recommended.

Link to the book on Amazon:


[identity profile] wordsofastory.livejournal.com
2. Sarita Mandanna, Tiger Hills

Devi is a beautiful, strong-willed young girl, growing up in Coorg, a rural, mountainous area of South India, in the late 1800s. She's in love with Machu, a warrior famous for having killed a tiger single-handedly. Devanna, Machu's younger cousin, is a quiet, intelligent boy, studying to be a doctor, who's in love with Devi. As you might expect, things don't turn out well.

This novel has some beautiful descriptions of scenery (apparently Coorg- spelled Kodagu today- is known as 'the Scotland of India'), but the plot is a bit over-the-top, with tragedy following tragedy. I enjoyed reading to pass the time on a long bus trip, but I'm not sure I can genuinely recommend it, unless you're looking for something to read that won't require a lot of thought.
rydra_wong: Lee Miller photo showing two women wearing metal fire masks in England during WWII. (still IBARW)
[personal profile] rydra_wong
There are books you can't put down, and then there are books you put down a third of the way through so that you can run to the computer and start ordering more books by the same author. The Intuitionist is that good.

I don't know whether this should be counted as sf/f, slipstream, magical realism, or something else altogether: its very own genre of lucid-dreaming surreal noir, a vision of a city that might be New York riven by the conflict between rival schools of elevator inspectors, the Empiricists with their faith in dutiful physical inspection and the Intuitionists who aspire to sense defects by tuning into the the soul of the machine itself.

Lila Mae Watson is the first "colored" woman (the book is set in what feels like the '40s or '50s) to become an elevator inspector - and she's an Intuitionist. When an elevator she inspected inexplicably goes into freefall, she finds herself at the centre of a web of political intrigue, where race, class, secrecy and mysticism intersect in the hunt for the "black box": the design for a perfect elevator.

Lila Mae is a fantastic protagonist: dour, self-contained, and, like the novel, utterly herself. But what makes the novel absolutely compelling is the narrative voice. Something like Don DeLillo, something like Walter Mosley (who contributed a well-deserved blurb), and a lot that's all Whitehead's own. This doesn't read like the first novel it is; it's unhesitatingly confident and polished in its idiosyncrasies:

Anyway, slept. In the biggest bed she has ever slept in, swimmable, Lila Mae buoyant despite her negligible body fat (a skinny one, she is). The bed possesses an undertow conducive to dreaming, but she doesn't remember her dreams when she wakes. On waking, her half-dreaming consciousness segues into a recollection of her visit to the Fanny Briggs building. It was simple: that's what Lila Mae is thinking about in her room at 117 Second Avenue.
sanguinity: woodcut by M.C. Escher, "Snakes" (Default)
[personal profile] sanguinity
1. Mildred D. Taylor, Roll of Thunder, Hear My Cry.

I haven't read Roll of Thunder since I was a kid, and honestly, didn't remember much of what goes on in it. Reading it now, I can't help but contrast it with To Kill a Mockingbird -- the two novels are very similar in themes, plot, and setting. Both take place in rural, Depression-era South; both plots center around the racial injustices of the place and time; both are narrated by young girls who are only just becoming aware of the racial politics that around them; both narrators are relatively sheltered and prosperous, as compared to their peers; both narrators idolize their fathers and alternately look up to and chafe under the influence of their older brothers.

I've read Mockingbird umpteen times in my life, and for the first half or so of Taylor's book, Roll of Thunder felt to me like I had rotated the Mockingbird world in my hands and was looking in at it through another window, seeing many bits of the story that had been hidden from Scout. And then the world twisted on me. In this story, Atticus isn't a hero.

Mr. Jamison, the fair-minded white lawyer who is respectful to the black families and willing to incur personal risk while advocating in their interest, is... well, pathetically ineffectual. He is portrayed as a good man and an ally, but he isn't trusted, either. He is very alien, very removed from their lives, and no one can forget that he acts solely from his own sense of morality and may buckle under social pressure at any time. And, as I said, despite all his efforts, he can't do all that much to help anyone. During the book's climax, OMG SPOILERS! ) This is a very, very different portrait than the self-composed Atticus reading below Tom Robinson's cell window while they wait for the lynch mob.

And, yanno, notwithstanding all these lines I just spent on Mr. Jamison? He's a minor character. He's hardly mentioned in the book at all. I just finished reading the novel this morning, yet I had to go look up Mr. Jamison's name so that I could write this post. However grand and heroic Atticus is in Mockingbird, his alter-ego barely exists in the Logans' world.

The ending of Roll of Thunder is... abrupt. More of a highly-emphasized break between acts than a true end of a novel. But I hear that Taylor wrote bunch more about the Logans...
helens78: Cartoon. An orange cat sits on the chest of a woman with short hair and glasses. (Default)
[personal profile] helens78
Hello! I'm Helens. )

I discovered Octavia Butler in college, in a comparative lit class about science-fiction books. We read "Dawn", and though it would turn out not to be my favorite of Butler's books, I was inspired enough to go out and get more of them. I finished off the Xenogenesis series and then went for the Pattern cycle.

Patternmaster is the first book Butler published, but in series chronology, it's the last of the Pattern cycle. It opens on a world so unfamiliar that a first-time reader won't necessarily know what they're looking at, which I think is a pretty cool artistic decision. At only 202 pages, it has a narrowed focus, telling the story of the protagonist (Teray) and his struggle to come to adulthood in a hurry and find his place within the Pattern that connects all the Patternists in this world, but Butler's tight, clear writing style gives us a fantastic view of the world she's invented and never leaves us feeling confused. (This is a big deal for me; I often feel confused when writers invent worlds but don't ground me sufficiently enough in them for me to understand what's going on and what the "rules" are.)

I rated it 4.5 stars on LibraryThing, but only because the second (publication date) book in the series is one of my favorite books of all time (Mind of My Mind), possibly my favorite book, if I were held at gunpoint and asked to pick one. I've read MoMM several times in single sittings; it's that good. So there has to be room to go up from here, but not much! Patternmaster remains an excellent book with an engaging world and outstandingly smart, powerful, tough and brave protagonists. (And for those of you who aren't familiar with Butler's work, her protagonists are almost always Black or multiracial characters; many of her books have tall, Black, female protagonists; see the Xenogenesis series and the Parable series.)
ext_6334: (Zora Neale Hurston)
[identity profile] carenejeans.livejournal.com
Note: This book figures large in my bookish past, and I started writing this essay for an (unfinished) post for IBARW. Not all of my posts will be this personal.


I first read Toni Morrison's The Bluest Eye more than thirty years ago. I haven't read it very often since (about three times, once for a class in college) but it has stayed with me, lodged firmly on my memory's bookshelf. It's one of my "foundational" books -- those books that you find just when you need them (even if you didn't know you needed it) and which fit into your brain like a puzzle piece from the Big Picture of, you know, life, the universe, and How Things Really Work.
Read more... )

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