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[personal profile] brainwane
I've been recommending this book to friends recently and realized I never posted my review of it here. It's a mimetic/realistic fiction novel set in modern-day Bangalore, with two main plot threads: a guy who wants to expand his business honestly but faces the impossibility of doing so without bribing creeps, and a servant in his house who walks multiple figurative tightropes to maintain some sliver of personal autonomy and keep her son from falling in with creeps.

I'd previously read Sankaran's short story collection The Red Carpet, which I also recommend. (I picked it up in the Manhattan public library when I was looking for Dorothy Sayers and saw Sankaran's book near Sayers alphabetically. Most English-language Indian fiction isn't about Bangalore, so this is an ultra-specific YES YES SO RIGHT YES. Sankaran hooked me a few pages in by using the Kannada/English slang "one-thaara" ("a kind/type of"), which I'd never seen written down before. The title story is so sweet! I see [personal profile] rydra_wong also liked it and [livejournal.com profile] glitter_femme liked it too.)

I loved The Hope Factory -- what a specifically Bangalore story, getting the texture of class, gender, and location so right. (I wonder whether the flashback chapter about one protagonist's day laborer past would work as a standalone story; it sure has a Crowning Moment of Awesome that I will remember for a long time.) I honestly do not know whether I should recommend this book to non-Indians or even desis who are not Karnatakan or Kannadiga, whether it will sparkle quite as bright to people who have never been to that particular dosa restaurant, who don't think "wait I think I have relatives in that square mile of Mysore." But if you're looking for an English-language novel set in modern-day Bangalore, spanning rich and poor, family and business and politics, check this out.
[identity profile] atdelphi.livejournal.com
2. Motorcycles & Sweetgrass by Drew Hayden Taylor (Toronto: Vintage Canada, 2011)

Motorcycles & Sweetgrass sees Nanabush himself riding onto the Otter Lake reserve on a vintage motorcycle to fulfill a promise to an old friend and shake up the lives of the chief and her son.

While reading this book, I couldn't help but think what a great television mini-series it would make. I know the area where the story is set, and I could picture the land and the people so easily. The story is full of memorable characters and snappy dialogue, and it would be a perfect addition to my favourite genre of the Quirky Small Town. I even started mentally casting the roles.

However, the reason I spent so much time thinking about this story in terms of another medium is because it didn't work for me as a novel. I'm not overly familiar with the author's other work, but I wasn't surprised to learn that this was his first adult novel and that he's primarily a non-fiction writer and playwright.

The storytelling fell flat for me. It's frustrating because the story is bookended by sections with a very engaging narrator's voice, but for the bulk of it, that voice disappears and we're left with an overly omniscient but ultimately charmless point of view. Backstory, motivation, and feelings are clunkily and redundantly described at every turn, and it often seems as though characterization is broken solely for the purpose of getting a good zinger in. In addition (a publishing issue rather than the author's), my copy of the book contained several typos and flubs that further kept me from closing my editorial eyes and just enjoying the thing.

Motorcycles & Sweetgrass is full of some great ideas, and if philosophy, plot, setting, or characters are more your gateway into a book than narrative is, you may well enjoy it. I'm glad to have read it and to have had the opportunity to take away its ruminations on modernity and tradition, but it was a struggle for me to finish, and I can't see myself reading it again.

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