sanguinity: woodcut by M.C. Escher, "Snakes" (Default)
[personal profile] sanguinity
Yanno, I wasn't ever expecting to be posting film news nor whitewashing news to this comm, but whaddaya know, this time it's an author of color being whitewashed.

Alexandre Dumas is being whitewashed:
The blond, blue-eyed Depardieu sports curly hair and darker skin to play the creator of The Three Musketeers in L’Autre Dumas.

Dumas, the world’s most-read French author and an exuberant, high-living celebrity, was the grandson of a former Haitian slave. His father, although a Napoleonic-era general, was referred to as a Caribbean “negro”.

In his lifetime the novelist was mocked for his African features and he called himself un nègre. [...]

Non-white celebrities, some Dumas experts and black organisations are angry because they say that the producers missed a chance to celebrate ethnic diversity in France and remind the world of the writer’s origins. “There is a mechanism of permanent discrimination by silence,” Jacques Martial, a black actor, said.
There is a mechanism of permanent discrimination by silence.

I find this casting choice especially unfortunate given that most people seem to already assume that Dumas was white. A couple hours of Depardieu in a curly wig (!) isn't going to dispel that association.
[identity profile] rushthatspeaks.livejournal.com
[livejournal.com profile] 12films_poc, which is similar to this challenge but for movies, is now live.

The challenge is to watch, over the course of a year, twelve films directed and/or written by POC, count them, and review them on the comm. Watching more than twelve films, or twelve films over a different period of time, or writing reviews and recs without counting, is also great; the purpose of the comm is to get people watching movies written and directed by POC.

Any kind of movie, any genre-- documentary, horror, animation, romantic comedy, experimental, drama, you name it. This comm is not, however, intended for discussion of episode-format televison, whether mini-series or long-form; any film that could conceivably be shown in a theatre, no matter what the film's length, is okay, as are movies that were originally made for TV.

The first recs post is up, reviews would be welcome, and I hope to see all of you there!
[identity profile] rushthatspeaks.livejournal.com
Mods, please let me know if you'd like me to move this post off-comm.

So I was looking back at my movie log the other day, and I thought to myself, wow, this is a list of stuff by and about white people if I've ever seen one. I tend to watch geek movies (of the comic book/sff novel adaptation persuasion), musicals, artsy independent films, and animation, and the vast majority of the films in these genres that turn up in theatres around here, that I put in my Netflix queue, that I check out of the library-- very, very white. White directors, white writers, mostly white actors. (Except the animation, because I watch a ridiculous quantity of anime.)

This is not how I would like my viewing habits to work in a world in which I know damn well there is a long history of cinema coming out of India, Brazil, Senegal, and Korea, to name only areas about whose film industries I have already heard some things.

I like the model of this comm as a way of changing habits: numbering the books one reads so as to have an accurate measurement of what is going on as far as proportion of works read by POC, and having a time frame so as to help with not putting things off (with the understanding that different people have different amounts of time, read at different rates, etc.). I think that this model would also transfer well to movies.

Now, as far as I personally am concerned, I am not talking about a fifty-film project, because that would take-- well, a friend and I gave one another lists in 2005 of the top twenty movies we'd each like the other to see, and I still have four to go on that list. I watch a lot of TV-format anime. I rewatch comfort films from when I was younger. New movies take a lot of mental energy for me, a lot of emotional investment.

However, I think I could manage twelve films in a year. One a month. Films by and concerning POC. I will not be counting anime in this because the point is to change my viewing habits, not to finish in two months, the same reason I'm not counting manga for this comm.

Now, given that a great many people are involved in the making of a film, it can be harder to tell what one means by saying a film is 'by' anybody, especially since I personally am rather ambivalent about the auteur theory. However, I think the simplest way to do it is going to be to look at the director and/or the writer: I will watch films for this that are directed and/or written by POC. There are also films that are neither that I suspect might be reasonable to watch for this, such as Fassbinder's Ali: Fear Eats the Soul, but in general those are the criteria I'm going to use.

And I'll blog them. Here, if people think that's an idea; my own journal, in addition to or instead of here. If other people also wanted to do this and blog about it, maybe a sister comm to this one. ETA: If you would be interested in participating in a sister comm to this one, please let me know in the comments.

And-- please, please, I want recommendations! I have a preliminary list, but the films I've heard about that fit this challenge tend to be 'issue' or 'message' movies, with a side order of depressing, and I know I won't be able to manage twelve of those, though I'm sure I'll watch some. I want to watch films from everywhere. I want to watch comedies, romances, children's movies, slices of life, animation, documentaries, musicals, dramas. I would also love recs for books about international film and film by POC.

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Writers of Color 50 Books Challenge

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