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Hamza Senesert was once a contender, a creative grad student with a talent for writing. Now he washes dishes in a trendy "fun" restaurant. His best friend Yehat Gerbles is in a similar state of career petrification: he works as a clerk in a video store, even though he's a (mostly) self-taught engineering wizard. Together, they share a house in a vibrant multi-ethinic neighborhood of Edmonton (Canada) called Kush, where they are the Coyote Kings, well-liked operators of a camp/afterschool activity center for the neighborhood kids and connoisseurs of science fiction, comics, and role-playing games.

Their weirdly pleasant world (weirdly, considering their job situations and Hamza's writer's block and broken heart) becomes a lot more weird and much, much less pleasant when Hamza meets and falls for a truly impressive woman of mystery named Sherem. All at once, these endearingly geeky lifelong buddies are mixed up with comic book-type villains who are all too real and deadly, strangely seductive drugs, and bizarrely horrific cults.

I really enjoyed this book, which plays right into my love of buddy stories and generalized geekdom. I will note that Faust is in love with language, and writes like it: this is in no way a straightforward narrative (indeed, it begins with an epilogue). It also includes several very gruesome, violent scenes, and Sherem is the only female character with more than a walk-on part.

Other Reviews of This in 50books_poc:
by littlebutfierce
by oddmonster
by seekingferret
by wordsofastory

[identity profile] wordsofastory.livejournal.com
18. Minister Faust, The Coyote Kings of the Space-Age Bachelor Pad

This was a wickedly fun book. Hamza and Yehat are best friends living in Edmonton, Canada, who get involved in a insanely complicated plot involving drug dealers, mystical relics, magical powers, cannibalism, Ancient Egypt, and the forces of good and evil themselves. Of course. Every character in this book is a geek of one sort or another, and the writing is full of references to Star Wars, Star Trek, Stephen King, Watchmen, D + D, and so on. The characters also often mention music, and the descriptions were so good as to make me want to go and and find the stuff mentioned. One of the things I really liked about this book was that most of the characters were politically aware, without the plot necessarily focusing on that aspect. The way it made it seem totally normal for people to discuss feminism, capitalism, racism, the War in Iraq, organic food, and so on without it being a Big Deal or a sign that This Character Is Special was really appreciated.

But the absolute best thing about this book is writing. The style at times approaches lyrics, with the rhythm and beat of the words almost demanding you read some passages out loud. At other times, it's all about the puns and clever wordplay. There's just an amazing use of language in this book. One of the ways it most reveals itself is in the narration: there are about eleven different narrators in this book, and although the chapters aren't labeled with who is speaking or any other obvious clue, it's always easy to tell who the current narrator is. Minister Faust manages to have eleven distinct voices, and that's really impressive.

Anyway. An incredibly fun book. Also, the author has a a blog, which is pretty interesting reading as well.
[identity profile] whereweather.livejournal.com
#9.  The Eternal Smile, Gene Luen Yang and Derek Kirk Kim
2009, First Second

 

The Eternal Smile is a collaborative anthology by comics artists Gene Luen Yang and Derek Kirk Kim.  Before reading this, I had read Yang's American Born Chinese (which won the Eisner award in 2007, and which I recommend highly, albeit with a few reservations).  I hadn't previously read anything else by Kim; after reading The Eternal Smile, though, I went and added his earlier books to my reading list (Same Difference and Other Stories, which won the Eisner and the Harvey in 2004, and Good As Lily, which was published by Marvel's tween Minx imprint in 2007).

 

It's a little hard to know how to review this book, partly because what it really is is a compilation of three different stories which differ so widely in style and tone that it would be a stretch to call this a cohesive work.  You can make an argument, though (as did my brother, who also read this book) that they treat one or two of the same core themes, and that their collective comment on these themes is more complex than any of the pieces would be alone.

 

I can't really go into much thematic criticism without spoiler-ing the stories, so I'll confine myself to other aspects.
 

Here we go... )

 

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