[identity profile] whereweather.livejournal.com

#24. The Essential Gwendolyn Brooks, Gwendolyn Brooks [obviously!], edited by Elizabeth Alexander

2005, Library of America (American Poets Project)

 

This book is really intensely interesting.  Gwendolyn Brooks was a very important Modernist, and this volume showcases many of her better-known short works, but it also samples from each of her books (which were real poetry books, that is, planned around central conceits and doing a book's work), as well as from her longer narrative works.  It covers years and years, from the start of her long career to its end in her old age, and you can watch the changes both in her style and in her interests.  (Of the latter, the most obvious is the change that comes when she became interested in applying poetry to the politics of the civil rights movement, and vice versa.)

 

The editor did a really good job, I think, putting together a small book out of 55 years' work like that.  The editor herself, Elizabeth Alexander, is a poet and professor of poetry at Yale.  (She is also African American.)  I hadn't heard of her before reading this book -- or thought I hadn't -- but then realized, retrospectively, that I actually probably had, because she was selected to write and read the inauguration poem at Obama's inauguration in January.

 

(Also also, the book has a cover design by Chip Kidd, which is one reason its design is so eye-catching and awesome. ;)

 

 

Some quotations from the Brooks poems in the book... )

 


[Tags I would add if I could: chicago, color/colorism, harlem, history.]

[identity profile] sairaali.livejournal.com
I'm awful at doing writeups, so this list has just been sitting on my desktop for ages making me feel guilty for not doing writeups.

Soo, I will just put the list up with brief one-liners on whether I liked it or not, and I'd be happy to discuss more in comments.

5) Silver Pheonix by Cindy Pon
Fantasy, adventure, romance, dragons, goddesses, intrigue! What's not to love?

6) Bodies in Motion by Maryanne Mohanraj
This is more of a series of interrelated short stories than a novel. The stories follow three generations of two families who immigrate from Sri Lanka to the US. It portrays a mix of different immigrant experiences, although nearly all of the characters are solidly middle or upper-middle class. The style is very ethereal and dreamy.

7) The Brief Wondrous Life of Oscar Wao by Junot Diaz
This has been reviewed here a million times. I enjoyed it, but found the casual sexism a bit grating.

8) My Life as a Rhombus by Varian Johnson
If I thought Oscar Wao had a few problematic scenes wrt to gender, holy wow, it was nothing compared to this. Neither the narrator nor any of the characters question the basic assumption that a woman needs a man to love her and that only a domineering man could possibly handle loving a strong independent woman. The story itself was well crafted and tightly written, but I couldn't get past the sexism.

9) Shadow Speaker by Nnedi Okorafor
Love! A young girl with the ability to speak to shadows struggles with her community's distrust and fear of female Shadow Speakers, a result of her estranged father's dictatorial and regressive policies. When her father is publicly beheaded, her world is turned inside out, and she embarks on a quest of self-discovery that takes her far away from home, during which she discovers a major military plot against her home.

Girls with cat eyes! Talking camels! Magic plants that grow into houses! A girl meets a strange orphan boy with his own powers and secrets on her quest without a queasy romance subplot being introduced! Again, what's not to love?

10)And the World Changed: Contemporary Stories by Pakistani Women Ed: Muneez Shamshie
Definitely would recommend this. Like any anthology, some of the stories are so-so, some are fantastic.


And I know this comm is focused on books by POC, but I know there are a bunch of SFF fans here and I'd like to make some anti-recs. I found the following books at the $1 ARC sale at Wiscon, and I suggest giving them all a miss for skeevy race issues.
Stone Voice Rising by C Lee Tocci - pseudo-Natives with magic powers just for being Native, and also misappropriational mishmash of at least six different tribes' religious beliefs, that I could recognize. Kokopelli become Popokelli, a demented fae creature who betrays his species and sells out to the (literal) Devil.
Kop and Ex-Kop by Warren Hammond - Locals on a backwater economically depressed planet are being murdered by a serial killer from the orbiting space station, which has technology centuries advanced of what is available planetside. Oh and incidentally, all the space dwellers have perfect milky white skin and the planet dwellers are all dark. Bleck.
[identity profile] clodia-risa.livejournal.com
Title: Interpreter of Maladies
Author: Jhumpa Lahiri
Pages: 198
Rating: 3 stars

I feel truly ashamed to give a book that won the Pulitzer three stars, but while I recognize that the writing was excellent, the subject matter good, the stories , the balance well kept between the short stories....I didn't really enjoy it. I liked a couple of the short stories, but most of the others I read left me a little cold. Nor did I actively dislike it. I was simply not moved.

The book, I can objectively say, is good. It's a series of short stories about people whose ancestors were from India, living their lives, trying to find satisfaction with whatever they have. Each story is unique, and I daresay interesting. If you were interested in this book, I would tell you to read it. It just wasn't quite for me.

[identity profile] whereweather.livejournal.com
A Soldier's Play, Charles Fuller
1982

This play won the 1982 Pulitzer Prize for Drama.  It's set in an Army training camp in the deep South (Louisiana) in 1944, during the Second World War, and it is, at least in one sense, a murder mystery.  Vernon Waters, a black sergeant who was responsible for a group of black enlisted men, has been found shot to death outside the base's nightclub.  Who did it?  One of the white Southern officers, resentful of "uppity negroes" in the forces?  Klansmen from the nearby town?  One of Waters' own men? 

The Army sends an investigator to look into the death: Captain Davenport, an Army lawyer and the first black officer most of the men on the base have ever seen.  Davenport sets about interviewing all of Waters' men, one by one, trying to learn about the complex dynamics that existed within this group of men from many different backgrounds and parts of the country, and between them and the white officers who rank above them all.  All this, and he also has to contend with Captain Taylor: the men's well-intentioned commanding officer, who is furious that Headquarters sent a Negro to investigate -- because, he says, he wants justice for Waters, and the people around here will never let a white man be brought to justice on a black man's word...

If the play were a paint-by-numbers piece "about race," or "about racism," of course it wouldn't be very good (though I suppose it might be educational).  But the characters come alive, the tension runs high, and so what you see is humans in history navigating through a minefield of restrictions, assumptions, fears and aspirations that for a contemporary reader (at least, for me) are in many ways as foreign as another culture or country.  I added a tag "institutionalized racism" to this one, because it's hard for me to explain how strange and shocking it is to read about this essentially pre-integrated Army -- when as long as I've been alive the Army has seemed like one of the most relatively egalitarian, and indeed integrated, of our national institutions.  But it wasn't always that way, not even sixty years ago...

Anyway, I recommend this play to people interested in, well, in any of the elements I've mentioned.  I think I give it three and a half out of five stars.

Also, a tangential note: The copy of the play that I read listed in its front matter the cast of the 1982 opening production in New York, which featured not only Denzel Washington but also Samuel L. Jackson.  That seems like a pretty amazing coincidence to me.  But then I wondered if perhaps the available roles for black actors were so few that it was not too surprising that the cream of the nation's acting talent would be concentrated in a single mostly-black New York production.  Then I wondered to what extent that has changed between then and today.

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