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[personal profile] brainwane
If you can get ahold of this idiosyncratic little memoir, it's pretty fun and light.

R.K. Narayan was a South Indian author, mostly of fiction, during the twentieth century. One year, in the 1950s, he travelled around the US (thanks to a Ford Foundation grant), and got two books out of it. One is The Guide, a novel about a tour guide. The other is My Dateless Diary, his diary of his travels from New York through Chicago, Berkeley, Hollywood, the Grand Canyon, and more.

He has a ton of wry observations about different bits of the US, comparisons to stuff back home in Mysore, conversations with celebrities (Greta Garbo and Aldous Huxley, for example), sitcom-esque misunderstandings, poignant conversations with strangers, etc. He runs into discrimination on a bus in the South, he has trouble finding vegetarian food, people keep asking him for spiritual advice and for his opinion of Nehru. And he drafts his book along the way and submits it to his publisher. He has fun, he runs into some worries and difficult situations but nothing ever goes deeply wrong, and his descriptions of various scrapes and angsts reminds me of Wodehouse.

opusculasedfera: stack of books, with a mug of tea on top (Default)
[personal profile] opusculasedfera
Ceremony by Leslie Marmon Silko
A classic novel for a reason. A Laguna Pueblo man comes back from WWII with PTSD and works through healing himself and his community as he realizes how far back through colonialism the problems go and how far back he has to go to find a solution. Which is a terrible summary that makes the conclusions sound so pat and perfect, whereas this is a book comfortable with messiness, comfortable with hard answers and the possibility that things won't work out. It's not a hopeless book: it knows that something will come and it might be better, but it also knows there aren't simple answers to these problems. It's very good, though obvious content warnings for PTSD, violence, etc.

Dreaming and Scheming: Reflections on Writing and Politics by Hanif Kureishi
Some of this is essays written on British politics during the eighties, and some of this is notes on the author's experience writing his films. I found the first half more interesting, but I have to admit that I haven't seen any of the films or plays and I might feel differently if I had. There's an immediacy to his impressions of political events that makes them compelling even when his concerns for the future have already played themselves out, and a perspective not seen often enough.

BlackLife: Post-BLM and the Struggle for Freedom by Rinaldo Walcott and Idil Abdillahi
This short book discusses Black Lives Matter as it happened in Canada and the reasons why it's still relevant in a country that likes to compare itself to the US and assume that we're doing fine because we're marginally better than them in certain ways. Unsurprisingly, there are plenty of them. A useful book.

Diamond Mountains: Travel and Nostalgia in Korean Art by Soyoung Lee, with Ahn Daehoe, Chin-Sung Chang and Lee Soomi
Essays on various paintings of the Diamond Mountains that are in what is now North Korea, but were once a place of pilgrimage for people from across the Korean Peninsula and, in the 19th century, around the world for their great natural beauty. Lots of gorgeous plates of paintings, and it was very interesting to see all the different artists paint the same places in different views, as well as read about how these different views affected people's ideas of a place that, after all, most people would never see.
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[personal profile] yatima
I read this on the recommendation of the great Roxane Gay. Like everything she recommends, it's excellent.

grant me a few free hours each day. Grant me a Moleskine pad & a ballpoint pen with some mass. Grant me your gift of this voice. Pages & pages of this voice, in a good book from a loving press. & grant me a great love, too. Grant a way to provide for my love. Like, a tenure-track job at a small college in the Midwest.

Wicker draws the reader in with this likable, conversational-confessional frankness. His project isn't to emphasize our shared experience, though. It's to draw attention to the cracks.

The danger in consuming the Grey Poupon is believing that you, too, can be a first-generation member of the elite, turning your nose up at soul music, simple joy, fried foods, casual Fridays—essentially everything I’m made of.

Under late capitalism, we are all subject to precarity, but no one more so than a black man in a police state. Wicker challenges us not to look away.

What’s the use in playing it like everything’s going to be OK for me in the event of mortal catastrophe

Grant this guy tenure, and bulletproof skin.

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