[identity profile] muse-books.livejournal.com

UK Cover
"She's not real, honey, she's only an idea. I made her up." - St John Fox to Daphne Fox.

It is 1938 and the celebrated American novelist St John Fox is hard at work in his study until his long absent muse wanders in. Mary Foxe is beautiful, British and 100% imaginary. She is in a playfully combative mood, accusing him of being a villain, a serial killer. For St John Fox has a predilection for murdering the heroines of his tales and Mary has returned determined to change his ways. She challenges him to join her in a series of stories of their own devising. However, it isn't long before St John's wife, Daphne Fox, becomes suspicious of Miss Mary Foxe and a most unusual love triangle ensures.

Framed by this interplay between Mr & Mrs Fox and Miss Foxe are a nine short stories that flit through time and place. Foxes naturally feature prominently in this exquisite novel and the cover art for the USA edition makes this clearer with its anthropomorphic foxes while the UK cover, with its elegant 1930s motif, is more ambivalent. I actually liked both for different reasons.


US Cover
Oyeyemi draws on myth, fairytale and fable from various lands with special emphasis upon Bluebeard and his English equivalent, the were-fox Reynardine. Oyeyemi weaves these into the fabric of her central story and tales with the skill of a true storyteller. There are also themes linked to creativity and the relationship between artist and muse.

This was a book that I fell in love with from its first page and remained enchanted throughout. So much so that I was quite happy to revisit it immediately via its audio edition. The beautiful writing of the novel was further enhanced by Carole Boyd's rich voice and range of character voices. This is one I cannot recommend highly enough to those drawn to works of magical realism and this kind of tale of animal transformations and re-told faerie tales. This is the third of Oyeyemi's four novels I have read and each has been memorable though overall I found this the most accessible to date.

Endicott Studio Article on Bluebeard - Page 2 on Mr. Fox/Reynardine.

Helen Oyeyemi's 'Mr. Fox' page at Picador - includes links to her 'fox thoughts' and the opening chapter.
[identity profile] hive-mind-d86.livejournal.com

6/50 The Handbook of Yoruba Religious Concepts by Baba Ifa Karade

 

Although it's still not as clear as I'd like I preferred this to Abimbola’s book on Yoruba culture. The handbook is more….poetic I think, but also a lot clearer especially with regards to the Orisha, their roles and their personalities. It’s an easy read too, which helps. And it gave a nice introduction to the concept of ashe (which I appreciate because I find ashe interesting and a lot of people skip over it). The comparisons of proverbs and practices with other cultures was helpful.

 

It left me with the clear impression that Yoruba and related faiths are about striving for……betterment, of yourself and the world. The journey and the attempt are what’s important not reaching some impossible perfection.

 

I’d recommend this one to anyone who’s interested, it’s a good little book.

[identity profile] hive-mind-d86.livejournal.com

4/50 Yoruba Culture: A Philosophical Account by Kólá Abímbólá

 

I wouldn’t recommend this for a complete beginner with absolutely no background knowledge of Yoruba culture. Abímbólá starts by praising an ‘inside-out’ approach to cultural studies and I think this book shows both the advantages and flaws of this method.

 

The advantage is the author’s obvious deep understanding of the logic, implications and philosophical underpinnings of his own culture. The flaw is a……disjointed sort of focus with some basic concepts stressed and some skipped over. Essentially his trouble communicating his culture clearly to someone from a different background.

 

This book clarified the Yoruba position on why evil is allowed to exist, gave brilliant descriptions of the culture’s inherent flexibility, a fantastic potted-history of the Old-Oyo Empire, fascinating points about language (especially the scope for misinterpretation given by the lack of gendered pronouns and the ability to combine words) and repeatedly stressed the idea that the word ‘sacrifice’ is not synonymous with ‘blood-offering’.

 

But the description of Yoruba medicine and religious practices didn’t give the impression of a practical belief system stressed in many western books on the subject. The language left an……..idea of mysticism and occultism at odds with the practicality Abímbólá claims. Then there’s the description of Eshu which I really couldn’t decipher-

 

The mix of clear and confusing explanations for concepts I was already familiar with left me wondering whether I’d actually understood new ideas, especially relating to the Yoruba idea of soul (indecently- Is a person’s Ori like their potential, what they’re personally capable of doing? Is the ese similar to willpower? Is Ori in the sense of a person’s ‘head’ separate to Ori in the sense of a personal God? Is the Ori a personality separate to the person?).

 

It’s an odd book but ultimately a useful one. It’s definitely given me a lot to think about and it doesn’t throw up any problems further research won’t solve. Most importantly it’s a thoughtful meditation on culture by an author who has obviously spent time and effort exploring all manifestations of ‘Yoruba’ the world over. This author loves his culture that shines from every page.

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