[identity profile] rachelmanija.livejournal.com
And what of Paama herself? She said little about the husband she had left almost two years ago, barely enough to fend off the village gossips and deflect her sister’s sneers. She didn’t need to. There was something else about Paama that distracted people’s attention from any potentially juicy titbits of her past. She could cook.

An inadequate statement. Anyone can cook, but the true talent belongs to those who are capable of gently ensnaring with their delicacies, winning compliance with the mere suggestion that there might not be any goodies for a caller who persisted in prying. Such was Paama.


An adult fantasy novel loosely based on a folktale from Senegal. When a spirit called a djombi gives Paama a probability-altering Chaos Stick, a series of events spin out to change her life, the lives of her family, the lives of a great many innocent and not-so-innocent bystanders, and even the undying lives of several djombi.

I loved this book. LOVED it. The absolutely wonderful prose and the humor kept me reading with a huge smile on my face, and occasionally laughing aloud. I could pull quotes from every single page that would make people who enjoy this sort of thing rush out to buy it, though the funniest bits are best read in context. (The bit where a trickster spirit cleverly disguised as a very large talking spider has a deadpan conversation with two men in a bar was one of my very favorite scenes.) The very knowing and slightly defensive narrator cracked me up, and the more serious second half, while not quite as purely enjoyable as the first, is poignant and lovely.

If you enjoyed the elegantly mannered prose, metafictional commentary, and sly humor of Michael Chabon’s The Gentlemen of the Road or William Goldman’s The Princess Bride, you are almost certain to like Redemption in Indigo.

The plot falls apart for about twenty pages or so after Paama confronts the indigo-skinned djombi, but it picks up after that (so don’t give up.)

The ending was moving (which is not a code-word for “sad”), and very satisfying. I don’t think it’s a spoiler to say that we get a touching psychological explanation for her ex-husband’s compulsive gluttony, so I’ll say so here for the benefit of anyone who might find the very beginning, which is based on a folktale about a man who gets in comic trouble by eating everything in sight, fat-phobic or anti-eating. I loved the way Lord preserved the non-realistic qualities of the original folktale, while the narrator invented realistic justification until it became impossible, and then resignedly advised the readers to just go with it.

Highly recommended. This is the kind of book where I feel constrained in reviewing lest I over-sell, but if you like this sort of thing at all, go out and get it.

Redemption in Indigo: a novel (Check out the gorgeous cover!)
[identity profile] veleda-k.livejournal.com
The Way to Rainy Mountain by N. Scott Momaday (Illustrated by Al Momaday)

The Way to Rainy Mountain )


The Absolutely True Diary of a Part-time Indian by Sherman Alexie (Illustrated by Ellen Forney)

The Absolutely True Diary of a Part-time Indian )
pauraque: bird flying (Default)
[personal profile] pauraque
When I was a kid I enjoyed Virginia Hamilton's collection of African-American folktales, The People Could Fly, so I was hoping I'd like this book of creation story retellings.

The stories, which range from ancient Greece and the Bible to various lesser-known societies of Oceania, Asia, and the Americas, are of course fascinating in their own right, but as I read on I became increasingly uncomfortable. The people who first told the story of Pandora are long gone and perhaps beyond caring how it is retold, and Hamilton can claim the Christian creation story as part of her own tradition, but what of the rest? Did the people of the Marshall Islands or Tahiti tell her she could repeat their stories? Did they have the opportunity to review what she had written and say whether it was accurate or appropriate?

At the front of the book Hamilton thanked some academic writers and researchers for allowing her to use the stories. I would love to believe that, where applicable, the people to whom the stories actually belonged were consulted. Call me cynical, but I doubt it. The origins of the stories are only briefly mentioned at the end of each one, as though they're just generic, contextless Creation Myths and the people who originate them barely merit a footnote. The writing style of the book is aimed at the middle grades, but I wouldn't give it to a kid unless they were mature enough to question the validity of the presentation.

The illustrations by Barry Moser (who is white if I'm not mistaken) are technically proficient but pretty bland, and some of them are completely inappropriate. One Siberian story (I would say which Siberian people told it, but Hamilton does not inform us!) that explains how the first dog got his fur is accompanied by a formal portrait of a pure-bred spaniel wearing a collar. What was he thinking? Did anyone think at all when this book was being put together?

As I said, I liked at least one of Hamilton's other books, so hopefully this was a rare lapse. In any case, it was very disappointing.

tags: a: hamilton virginia, w-illus: moser barry, african-american (author), religion, folklore, middle grades
[identity profile] wordsofastory.livejournal.com
5. The Mahabharata: a Modern Rendering by, um, it's complicated? Trditionally ascribed to Vyasa (who is also a character in the story itself), probably actually composed by multiple people at various points in time, this version translated and edited by Ramesh Menon.

The Mahabharata is one of the two major Indian epics (the other being the Ramayana), and I've been meaning to read it for ages. And I'm very happy that I've now done so! (Though I guess that means I need to read the Ramayana next.) I picked this translation off of a recommendation on this community, and though I can't compare it to any others, I did really enjoy it. It's quite long- two volumes of about 800 pages each- but it's a fantastic, compelling story, full of all kinds of awesome stuff: gods and secret identities and earth-destroying weapons and reincarnations and gender-switching and so much more!

To completely over-simplify the plot, there are two sets of cousins: the Pandavas, who consist of five brothers who are all the sons of gods, and the Kauravas, who consist of a hundred brothers who may be demons. The eldest son of each group wants to inherit the throne, and the machinations and secret assassination attempts and broken promises eventually lead to Kurukshetra and the Greatest War Ever, which causes the end of the age. My favorite characters were Amba, who holds such a grudge that she kills herself and is reincarnated as a warrior to kill her enemy; Draupadi, who marries all five of the Pandava brothers and is amazingly fierce; and Kunti, who is able to summon gods, and who uses this to sleep with them.

There's so many characters and sub-plots and side stories and so forth that it's hard to even describe the Mahabharata. But it's AWESOME, and I loved it.
[identity profile] rachelmanija.livejournal.com
This picture book briefly and simply tells the stories behind some Chinese idioms and references, like “Yu Gong Moves the Mountains” and “A Man From Zheng Buys Shoes.” The illustrations, in very different styles as they’re by different artists, are great. My favorites are the elegant and intricate work on “Yu Gong Moves the Mountains” and the bright, playful watercolors of “The Fox Borrows the Tiger’s Power and Prestige.”

The stories are interesting (some were familiar to me and some were not), about a fox who tricks a tiger, an old man who enlists his family to move mountains, two archers who learn lessons in concentration and skill, and a fool story. The language is flat, but maybe that’s the translation.

The stories had endings which felt a bit abrupt to me, as if they needed one or two more sentences. It’s not that they didn’t conclude, but that they ended the instant the story did, without further reflection or any call-back to the idiom itself. Perhaps this is my unfamiliarity with how the stories work in the culture, though, and other readers would feel that we are supposed to draw our own conclusions or would already be intimately familiar with the meaning, and so anything more would be being insultingly spoon-fed. If you get this for a child who isn’t already familiar with the sayings, it might require some explanation and discussion afterward.

Illustrated by He Youzhi, Ding Xiofang, Wang Xiaoming, and Dai Dunbang.

Stories behind Chinese Idioms (II)
[identity profile] rachelmanija.livejournal.com
A completely charming introduction to Chinese food culture, cooking theory, history, and folklore, thoroughly illustrated and told partly in comic book form.

I can’t guarantee the accuracy of the entire thing, but the material that I did recognize didn’t contradict what I already knew (except for the part that said that in America, tofu is sometimes used to make wedding cakes, which is probably true for some couple somewhere on cake wrecks), and the illustrations certainly have that meticulously researched look.

It begins with the discovery of cooking, when unhappy Early Men, often subject to stomach aches, find a burned goat after a forest fire: “Indeed, it smells good and it’s easy to chew, too.” The ensuing whirlwind tour of Chinese foodways touches on Confucius’s ten perfections of Chinese cuisine (like many key terms, these are helpfully shown in hanzi as well as English), banquet etiquette, superstitions and songs about chopsticks, regional cuisine, which foods should not be eaten together, and a great many anecdotes in comic book form about the origin of various foods, including one in which the ubiquitous Zhuge Liang improves his soldiers’ morale via a meat dumpling shaped like an enemy’s head. (There’s another story in which a guy shapes dough into the form of a tyrannical minister and fries it.)

Many of the food origin stories follow this pattern: Political problem; new dish invented; new dish cures ailing person, improves morale, or is used to metaphorically illuminate the political situation; political problem solved!

Yi Yin once carried his cooking utensils and used cooking methods and flavorings to persuade King Cheng Tang to take up leadership of the state and successfully overthrow the corrupt Xia Dynasty.

Comic book Yi Yin, magisterial: “Every food item has unique qualities. You are only the king of a small state. You can’t possibly sample all of the delicacies of this great land. You have to take control of all China, and become the emperor to possess everything.

A tremendously entertaining read in its own right, but also an excellent springboard for further study of Chinese food culture.

Check it out on Amazon: Origins Of Chinese Food Culture
[identity profile] whereweather.livejournal.com
Brown Girl in the Ring, Nalo Hopkinson
1998

Well, I see that Nalo Hopkinson is very popular here.  I have had several of her books on my to-read list for years, so I began with this one.

My feelings about the book are mixed -- it definitely shows many of the signs of a first novel, including some very clumsily worded passages, and a lot of filtering-type language ("Ti-Jeanne thought... Ti-Jeanne felt... Ti-Jeanne heard XX say..."), as well as some info-dumping ("Ti-Jeanne knew...")  But the setting, and the cultural and political backdrop, are so new and so vibrant -- fully felt, deeply realized and believed in -- that the book has some very strong bones, despite the occasional infelicities.  

more... )

Anyway.  An interesting book, and I will look forward to seeing how Hopkinson's style develops as she progresses in her career.  Two and a half or three stars out of five, I think: two or two and a half for execution and technique, and three and a half for power and potential.

(ETA: Oh!  And I am also going to read Derek Walcott's "Ti-Jean and His Brothers," which ought to shed further light.)

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