annwfyn: (nonsense - priestess of pink)
[personal profile] annwfyn
I am coming to the conclusion that I am a sucker for food in my young adult fantasy. Every time it turns up, I know I'm going to really like the book, and Tantalize was no exception.

This is an awesome novel - it's a fantastic blend of horror, romance, comedy, and also features some brilliant brilliant descriptions of Italian food, all set in Austin, Texas, which is where the author is from, I believe, and certainly she gives the book a real sense of place. The supernatural world she's created is also a little quirky, a bit different, but definitely holds together. Mild spoilers beneath the cut )

It's the first book in a sort of trilogy - Eternal and Blessed are set to follow - and I'm looking forward to reading them as well. This isn't deep literature, and I'm not sure if it counts as urban fantasy, young adult or paranormal romance, but it's a really fun, frothy, bouncy read and I'd totally recommend it.
ext_20269: (Sally - chibi)
[identity profile] annwfyn.livejournal.com
Goodness, it's been a while since I posted here. I just started doing my next 50 books challenge, after a bit of a hiatus, and in so doing discovered a bunch of books I never wrote up from last time, and am slowly trying to plough through them.

I thought I'd start with two books which I think I didn't review because I'm not even sure I finished them.

'Bite Marks - A Vampire Testament' by Terrance Taylor

I think I floundered with this book purely because I couldn't quite deal with the vampire baby bad guy. I wanted to get into it. I liked loads of the characters. In fact, I think I liked all of the characters. I found Adam, the bad guy, really quite compelling and I thought Perenelle in particular really rocked. I kept getting into the book, really buying it, and then the weird creepy baby vampire would show up again and for some reason that just really really jarred with me. I don't know why - I think it is mostly that I found it hard to take the baby seriously, and I couldn't visualize it without making it cartoonish which was a shame as the rest of the novel felt really grounded.

I suspect this is purely a mental block for me and so I want to recommend it, for anyone who can read about creepy baby vampires without feeling the need to giggle.

'Atomik Aztex' by Sesshu Foster

I totally acknowledge that I failed with this book because I couldn't handle the use of language. Sesshu Foster rips up our normal reading patterns, re-arranges the language, makes us actually look again at words, at spellings...and totally broke up my ability to lose myself in this book. As a note, I, for some weird reason, am very very bad at handling odd spellings. I think it's a side effect of being mildly dyslexic - I read by the shape of words, and not by the letters. I read a chunk of this aloud to myself, and slowly plodded through the rest of it.

I gave up, after a while, mostly frustrated with myself. I think it is a really good, really interesting book. It was just a little too challenging for me in the place I was in at that place, and I think required a bit more intelligent commitment than I felt able to give, but that doesn't mean it wouldn't really work for someone else.
[identity profile] seekingferret.livejournal.com
9) Blood Pressure by Terence Taylor


It's sequel to Taylor's excellent vampire/zombie novel Bite Marks, and I believe it's book 2 of what will eventually be a trilogy. It jumps the action 20 years ahead, from the 1986 New York of the original novel to Summer 2007. Taylor is fantastic at grounding his story in that particular sense of time and place. He's a New Yorker and much of the novel feels like it was written as a love story to his favorite parts of the city. And since in Summer 2007 I had just graduated college and was living in an East Village apartment while trying to figure out what to do with my life, I really appreciated the little details he stuck in that represented his city. Several major events in the story take place in a club that was three doors down from my apartment.

Though its vampires, zombies, voodoo, and mummies in modern New York would make it urban fantasy ( and it is clearly marketed as such), I don't think it felt like classic urban fantasy. Instead, I'd compare the story to the work of contemporary fantasists like Susanna Clarke, with its rich secret histories, sprawling cityscapes, and vivid and complex characters. The first book in the series weaves the Hindenburg disaster, Jack the Ripper, and the AIDs crisis into its vampire lore, while this one makes Zora Neale Hurston a crucial character and opens with a reinterpretation of a news story I remember vividly from Summer '07- the eruption of a water main near Grand Central Terminal.

Taylor keeps most of the characters from the first book around, in new configurations and life positions, and adds a bunch of new and interesting faces, including some only alluded to in Bite Marks. By the end, there are a lot of characters to deal with in the final confrontation scene, and I like what he does with all of them. I was just as surprised by the ending of this book as I was by the ending of Bite Marks, and the ending of Bite Marks is spectacular.

I just hope that book 3 comes out soon, because I really can't wait to see the whole gang team up against newbadguyiwontspoil. And I really, really can't wait to see what Lopez has up her superbadass sleeve. Oh man, I really hope that book three is All Lopez All The Time.

tags: a: taylor terence, african-american, urban fantasy, vampire
[identity profile] sweet-adelheid.livejournal.com
Masquerade (Blue Bloods, #2) Masquerade by Melissa de la Cruz (Hyperion, 2008)

I know it's fluff. I know they're not literature. But gee, I'm enjoying these books. This one probably even more than the previous one, which surprised me in a way, as I wasn't expecting to like this one *more* than the first.

Angels, vampires and designer dresses )
[identity profile] sweet-adelheid.livejournal.com
This is my first review in my second year of counting. I got two books away from 50 last year (Feb09 to Feb10) in terms of reading (but I'm a little behind on reviews) and after a little while away from the whole counting thing (during which life was so busy I barely read any books) I decided to start a second year: 25 May 10 to 24 May 11.

So - here's book number 1 in my new year of counting.

Blue Bloods (Blue Bloods, #1) Blue Bloods by Melissa de la Cruz (Hyperion Paperbacks, 2007)

This is, in a way, my accidental [livejournal.com profile] 50books_poc. read. Melissa de la Cruz is an American writer of Filipina background, although I didn't even think to look into her background at first. I'm not that used to the popular (as distinct from good) adolescent books also being possible reads for [livejournal.com profile] 50books_poc. Reading the rest of the series won't be so accidental. Blue Bloods is pretty much the only vampire-related series that has really caught my eye amongst all the myriad of vampire books available at the moment.

I keep describing Blue Bloods to the kids at school as "Gossip Girl with vampires" - despite the fact that I haven't ever seen Gossip Girl. Synopsis and comments )
[identity profile] wordsofastory.livejournal.com
46. Terence Taylor, Bite Marks: A Vampire Testament

On Christmas Eve, in Times Square in the mid 1980s, a hooker named Nina is violently murdered by a vampire. Just before she dies, she manages to turn her small infant into a vampire itself to give it a chance to survive. Now everyone's trying to find that baby: the Veil, a secret government of vampires in charge of making sure humans never find out about them; Adam, the vampire who killed Nina, who wants to kill the baby before he gets in trouble with the Veil; Jim, Nina's brother, who wants to save the baby and get revenge; Steven and Lori, a couple working on a book about true stories of vampires; among others. And then the zombies show up!

I can't say this book is anything particularly deep, but it's a lot of fun. I love books set in NYC, and Taylor clearly knows it well. I like his diversity of characters- black and white and Asian and Arabic, rich gallery owners and street kids and junkies and donaters to the Met. The writing, on a sentence to sentence level, is nothing special, but the plot is fast and enjoyable. Originally I thought the idea of a 'vampire baby' was a bit cheesy, but it turns out to actually a creepy concept. Overall, recommended, and a great read for right now, since the entire book takes place in the few days between Christmas Eve and the first few days of January.
sanguinity: woodcut by M.C. Escher, "Snakes" (Default)
[personal profile] sanguinity
3. Cynthia Leitich Smith, Tantalize.
4. Cynthia Leitich Smith, Eternal.

Both novels are set in the same world, but Eternal is a prequel to Tantalize. Even though the two books don't share any cast members in common, the sequence would have been nice to know going in: what happens to the Eternal cast sets up the possibilities established for the Tantalize storyline, and there are aspects of the two stories that seem not to mesh properly unless you realize that Eternal happens first. It's hard to say anything more concrete about the interrelationship of the two without spoiling the conclusions of both books, so let's just leave it there: Eternal happened first. Okay?

(Book three, by the way, is supposed to integrate both casts: yay! I want book three!)

Tantalize was a nice enough -- light, fast, funny -- for about the first half. The premise seemed a bit ridiculous and lightweight to hang an entire book on -- an Italian-American high-schooler, with the help of her uncle, is trying to retool the family Italian restaurant around a vampire theme -- but around the halfway mark the plot became OMG OMG OMG I CAN'T TALK TO YOU I'M READING OMG OMG. I wish the ending wasn't so young-adult-page-limit-reached, because I wanted a lot more book. It's sequel-ready, of course, but who wants to wait for the sequel? My favorite part in most novels is the middle third, where everything is deliciously messed up (similarly, my favorite part of any trilogy is always the second book) and Tantalize left off precisely at the point where it was ready to start hitting all my personal narrative buttons. (insert growl of pain here) MUST HAVE SEQUEL.

Eternal, to my disappointment, was not the sequel that Tantalize was setting up. Also, it's about a guardian angel, which is totally the sort of narrative device that makes me roll my eyes hard. But then Eternal caught me, too -- not as hard as Tantalize, but still, it caught me good and solid. And it resolved all its black-and-white good-and-evil stuff to my satisfaction (that is, good-and-evil does not, and cannot, crisply divide into black hats and white hats). And its conclusion makes me want the sequel -- which will be a crossover sequel for both books, apparently -- even more.

Some random things:
  • In Tantalize, Quincie's boyfriend Kiernan is both Latino and half-werewolf. (Ethnicity =/= species! Yay!) He needs to join a wolfpack, for both his safety and emotional wholeness, but he can't just trot off and join: he as much doesn't fit among the Wolves as he does among non-Wolves. Even though biology is a major part of what makes one a Wolf, there is no biological essentialism to being a Wolf: if he is to join a pack, he has to study and learn and catch up on the things that he did not learn when he was growing up outside of a pack. He has to earn his way in.

  • In Eternal, the heir to Dracula's throne is half-Taiwanese (I think -- I can't find the reference) and half-white. Dracula is a hereditary title, based on the Latin word for dragon, and it is thus customary to refer to the bearer as the Dragon, or to his heir as the Dragon Princess. Even so, Dracula executed the henchman who referred to her as the Dragon Lady.

  • Dorky whitebread vampires in polo shirts and khakis.

  • Weredeer! Werebears! Wereopossoms! Werearmadillos!
ext_12911: This is a picture of my great-grandmother and namesake, Margaret (Default)
[identity profile] gwyneira.livejournal.com
#27: Drew Hayden Taylor, The Night Wanderer

Tiffany Hunter has a lot of typical teenager problems: her dad hates her white boyfriend and thinks Tiffany should study more, her boyfriend's friends seem uncomfortable with her because she's Native, and her mom took off with another guy. She longs to be older and to be able to leave boring Otter Lake Reserve for the exciting outside world. And now just to make things more complicated, her dad has taken in a boarder, a mysterious European named Pierre L'Errant who doesn't eat with them and only goes out at night.

I thought this was a really neat and original take on vampires. (This isn't a spoiler because it's quite clear to the reader from the outset what Pierre really is.) Instead of being sexy and beguiling, Pierre is old and knowledgeable, ready to come back to his ancestral home after wandering Europe for centuries. Taylor shows bits and pieces of the Ojibwa culture of Pierre's youth, along with the culture clashes of today, between Tiffany and her family and her boyfriend. I thought the teenage voice faltered occasionally in Tiffany's parts of the narrative, but not enough to throw me out of the book. And I really liked the ending, which is full of tension yet not at all a showdown between vampire and human.

#28: Malinda Lo, Ash

Ash's mother died when she was young, and Ash has never accepted her death, even after her father remarries a woman with two daughters of her own. After Ash's father dies as well, her stepmother forces her to become a servant in order to save money to pay off her father's debts. Her only solace comes from visiting her mother's grave and from brief encounters with the faerie world, where the mysterious Sidhean is both protector and threat. When Ash meets Kaisa, the King's Huntress, she is strongly drawn to her and must escape her servitude in order to meet with her. But the help she needs from Sidhean comes with a price that might separate Ash from Kaisa forever.

Lo starts out with an excellent conceptual twist on the Cinderella story, with a female love interest and a Faerie godfather, but the execution doesn't quite live up to the concept. I felt that I got to know Ash herself reasonably well, but none of the other characters were very well fleshed out. I would particularly like to have seen more of Kaisa, Sidhean, and Clara (Ash's younger stepsister). Similarly, the plot was set up fairly well, but the happy ending was too easily achieved. Still, I thought the writing was very good, sensual and descriptive, and the flaws in execution were very much first-novel flaws. I'll be very interested to see what Lo writes next.
[identity profile] fiction-theory.livejournal.com


Title: Happy Hour at Casa Dracula (Casa Dracula, Book 1)
Author: Marta Acosta (MartaAcosta.com)
Genre: Paranormal Romance
Page Count: 312 (Trade Paperback Edition)
Publisher: Pocket Star

Review: Happy Hour at Casa Dracula. Spoilers! )
ext_13401: (Default)
[identity profile] hapex-legomena.livejournal.com
Butler, Octavia. Fledgling

in short:The story of Shori a young genetically-engineered vampire with no memories of her past looking for family, answers, and justice.

in which it is all about me: So I have a back-log of other books to write up before this one, but I don't care.

I was walking around Borders like a lost child, as I sometimes do when I am bored, and decided to do a POC check, mostly of black genre writers. My findings from looking in Literature, Af-Am Lit, SF/F, and YA is that Octavia Butler is on both the Af-Am Lit. and SF/F shelves though different books are in different sections for some reason. The Af-Am Lit. section kind of makes my head hurt. Just looking for Butler went something like: James Baldwin; bunch of romance titles, one or more of which uses the word "thug" in the title; Butler; below that Gangtsa Bitch; below that, approximately a million books by Eric Jerome Dickey. There were a lot of writers that I could not find at all, including Chip Delaney, which makes me feel better about only recently having heard of his existence, because I doubt that this is a short-lived and soon-to-be-rectified oversight and my SF/F lit education was just me wandering around Barnes&Noble as a lone young, feral fan staring creepily at all the books with no one to guide me.

And then I picked up Fledgling.

actual analysis: Crack fantasy om nom nom )
[identity profile] onceupon.livejournal.com
Happy Hour at Casa Dracula, by Marta Acosta, is a fun vampire/romance/comedy. Actually, I kind of hate to call it a romance because there is nothing of the explicit sex in this one (though some characters do, thankfully, get it on). Basically, if you are on a smut mission, this is not the book you are looking for. However, it IS clever and delightful on several different levels.

Milagro de Los Santos is a smart and sexy Latina who, in true Regency romance style, can't seem to get her shit together especially in the man department. She's a product of a fancy pants college education but it isn't doing her much good in the "real" world.

I actually can't stand to read most Regency romances because the heroine is so passive; Milagro is anything but. She has complex relationships with her friends and former lovers. She has a complicated family situation. But none of it feels heavy in this book - it simply is what it is - Milagro isn't going to waste a lot of time moping, she's going to muddle through as best she can.

Nothing more than you'd find on the back of a book jacket, actually. )

The tone shifts between Regency romance and flat-out caper fairly regularly. It keeps the pages turning.

This is not Serious Literature. It's awesome fluff without being dumb.

My biggest complaint is actually the cover. My copy was an ARC with an illustration. But there's something about the actual cover and the cover of the third book (which I haven't read yet) that looks like they chose the most Anglo-Saxon Latina model they could. though that might also be tied in with my irritation at the insistence on representing not-thin characters as no, really, quite thin on book covers (Milagro is one of those not-fat, not-thin characters and her body confidence is actually totally awesome).

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