[identity profile] alankria.livejournal.com
I'm way behind on posting here and, for various reasons, all but one of the following books are currently not in my possession - so these are pretty short reviews.

4. Bahiyyih Nakhjavani, Paper

The back made it sound wonderful: a scribe in central Asia searching for the perfect paper, while his town's location at a crossroads of travel and politics impacts upon his life. While it is about that, the execution is not as good as I'd hoped. A lot of time is given over to the Scribe's unhappy musings about his life and how he's just not capable of writing the perfect book. Events unfold sometimes slowly, sometimes offstage, with the overall effect of not particularly gripping me. Bahiyyih Nakhjavani's language is lovely in places and some of the characters are interesting, but I felt like the novel isn't quite as focused as it could have been: it muses, it tells, but it doesn't quite work. Certainly interesting, though, and I intend to re-read it sometime because I suspect there are layers to be found. Also there's a chronology of paper-related history at the back which is marvellous.

5. Cristina Pantoja Hidalgo & Erlinda Enriquez Panlilio, eds. Why I Travel and other essays by fourteen women

Now this was a find! It's a collection of travel essays by Filipina, with a section focusing on local destinations and another on international ones. A small section at the back considers the how of travel in particular; one my favourite essays is here, concerning how a wheelchair-bound woman has discovered that she shouldn't feel too limited by her situation, and she tells all about her adventures in a Moroccan souk on donkey-back and other experiences around the world, where the help of a few people has resulted in her having a fantastic time. The essays sometimes describe the places visited, sometimes dwell on personal history in that places (especially in the local section), and are almost all engaging and interesting.

6. Rattawut Lapcharoensap, Sightseeing

A collection of short stories by a Thai author. This means, crucially, that you're getting stories about Thailand as a complex and real place, not the magical land of golden temples and hookers often described by farang writers. Rattawut is concerned with the regular Thai person, not particularly wealthy, often in a perpetual balancing act just above poverty. He writes about a young boy's relationship with a Cambodian refugee whose now-dead father put all their wealth in her gold teeth; he writes about a young man whose mother is on the verge of going blind; he writes about a teenaged girl whose poor father is losing his cockfights to a rich bully, and the various consequences this has on their family; he writes about a wealthy teenaged boy dodging the draft while his poorer friend cannot; and so on. In some stories, the plot itself is not particularly innovative. The entire emotional arc of the draft-dodging story was predictable, for instance. But the way Rattawut writes allows you to really get into his characters' heads and understand their various decisions, so they are not distant or simple stories, and the Thailand he writes about is a difficult, interesting, complicated place. Definitely recommended, especially for readers of realist fiction or those interested in Thailand/SE Asia as depicted by a local.

7. Orhan Pamuk, My Name is Red

Oh, My Name is Red, I did want to adore you. Those long beautiful passages on the nature of art and miniaturism and history are, in my opinion, worth the price of admission alone. (Especially if you, uh, got it for cheaps at an Indian pavement book stall.) Yet the characters are almost all un-captivating and parts of the plot progress strangely. A character is tortured and, within pages of the torture ending, decides that the man who gave the order is going to be his new mentor and father figure, and Pamuk spends the rest of the book telling us that they have a deep and meaningful bond. We're told a lot about characterisation in this book. I enjoyed reading about historic Istanbul (and I can't imagine the city under snow!) and, as I said, his tangents were divine, and parts of the murder plot were pretty interesting. Overall, though, a bit of a flawed package.

8. Githa Hariharan, When Dreams Travel

A novel about storytelling and storytellers, especially female, typically powerless ones. Hariharan takes the myth of Shahrzad and begins after it ended, with her sister Dunyazad returning to Shahrzad's palace to help her husband construct her tomb. Echoes of the Taj Mahal in its vast splendour and the Sultan's obsession and the consequences. Dunyazad and a scheming maidservant with a peculiarly hairy mole meet and share stories, including many of a hair-covered woman who was eventually ostracised by her community -- revolving around the possibility that Shahrzad escaped and they can too, from the entrapments of the old 1001 Night story and the present concerns of their lives. When Dreams Travel is a curious, meandering book, beautifully written.
[identity profile] wordsofastory.livejournal.com
11. Farahad Zama, The Marriage Bureau for Rich People

Mr. Ali, a recently-retired Muslim man living in a city in South India, finds he has too much time on his hands. So, what to do but open a marriage bureau? It's sort of like a dating service, but with an emphasis on caste instead of personality-matching quizzes (emphasis on looks and occupations are universal, though). Secondary characters include Mr. Ali's estranged son, Rehman, who is a human rights activist; Aruna, a poor Hindu girl he hires as a secretary who is secretly worried about her own marriage prospects; and, of course, Mrs. Ali.

This book is being marketed to fans of "The No. 1 Ladies' Detective Agency" series, and I have to agree that if you like them, you will almost certainly like this new book as well. They share a similar simplistic-but-charming writing style, a focus on traditional values, and evocative descriptions of the beauty in rural and natural scenes. Zama's book is a bit marred by a heavy reliance on "As You Know, Bob" language to convey information about Indian weddings and marriages to the reader, but hey, if you don't know much about that topic, it's certainly an easy way to learn.

A fun, breezy book, with a very predictable happy ending. However, it's clearly aiming itself at an audience who's only looking for light reading, and it achieves its goal of being pleasant read.
[identity profile] wordsofastory.livejournal.com
10. Vikram Chandra, Sacred Games

If you ever wanted to know the Mumbai slang terms for 'motherfucker', 'ass-fucker' 'sister-fucker', or just plain old 'fucker', well, this is the book for you!

More seriously, this enormous novel is the story of two men: Sartaj Singh, a world-weary, slightly corrupt, recently divorced, low-level policeman; and Ganesh Gaitonde, the head of an organized crime syndicate, and probably one of the most powerful and wealthy men in India. The novel opens with Singh receiving a phone call from an unknown source, who tells him that Gaitonde is in Mumbai and gives an address. When Singh arrives, he finds a strange building, a sort of concrete bunker; a short conversation between the two men via intercom later, the police break down the door and inside find Gaitonde, dead by his own hand.

The rest of the novel follows two threads. The first is (mostly) Singh's, who is given the assignment to figure out why Gaitonde was in Mumbai and what he was doing in that building. This half of the novel is a crime thriller, particularly as it picks up speed near the end as consequences and meanings start to come clear and events take on an urgency (I admit, I didn't figure out the mystery at all, and once the truth comes out, it's genuinely scary and exciting). Despite that, other characters occasionally speak, ones usually related to the plot, but who fill out the world of the book. I found a chapter from Singh's mother, remembering her childhood during Partition, particularly moving. Partition and the violence then show up repeatedly throughout the novel as a recurring theme. The second half of the story is Gaitonde's; he speaks in first person, directly to Singh, though it's never clear if this is meant to be a ghost, the proverbial "life flashing before your eyes as you die", or what. He retells the story of his life, beginning as a child without a name or past, up through his struggles to get his first few followers, the growth of his mob, gang-wars with rival organizations, several stints in jail, advancing to become an international figure, his dabbles with Bollywood, his struggle with faith, and finally the explanation of how he ended up in a small building in Mumbai and why he killed himself. I liked the Gaitonde sections better than the Singh ones, if just because Gaitonde appealed to me more as a character; he has a incredibly engrossing voice and point of view. And his story is just more exciting, at least until the discoveries Singh makes at the end. The tone of the novel ranges from melodramatic gun shoot-outs or spy adventures to high-minded discussions of religion and the meaning of good and evil. There's lot of sex and violence, but just as many epiphanies and golden moments, and some seriously beautiful turns of phrase.

Highly, highly recommended, though be warned: this is seriously a massive tome of a book (my copy had nearly a thousand pages), so don't start it if you're on a deadline for something.
[identity profile] wordsofastory.livejournal.com
9. Gita Mehta, Snakes and Ladders: Glimpses of Modern India

Snakes and Ladders is a book of short essays (very short; I'd guess the average was three pages) on the modern history of India, written to celebrate the country's fifty anniversary in 1997. If you don't know anything about modern India, I think this would be a great place to start. If you already are familiar with the topic, this is probably not really the book for you, although it is certainly written in a very engaging style.

My favorite essays were the ones that didn't deal with history or politics at all, but recounted personal moments from Mehta's own life: how her mother was out at a club at 3am, dancing the foxtrot and the tango, when she went into labor to have Gita; the effect on her parents' marriage of their involvement in the Freedom Movement; how she grew up with a love of reading, thanks to the booksellers of Calcutta.

Recommended as a lighthearted but educational read.
[identity profile] wordsofastory.livejournal.com
8. Anne Cherian, A Good Indian Wife

Leila is a teacher in a small South Indian town, who's beginning to worry that she might be too old to find a husband. Suneel is a doctor in San Francisco with a white girlfriend and no interest in returning to India. However, when Suneel goes to visit his sick grandfather, family machinations arrange a marriage between the two almost before they know what's happened. Now Leila has to adjust to her new husband and life in America, while Suneel strives to change as little as possible (including continuing the relationship with the girlfriend) and plots ways out of the marriage.

This book is a bit of a fairy tale, but despite that, it was a fun, quick read. I never felt very sympathetic to Suneel (HE'S TOTALLY A JERK, COME ON, HE DIDN'T BREAK UP WITH HIS GIRLFRIEND), but Leila is a great, interesting character, and I really enjoyed spending time with her. The writing is very good, and I was okay with the predictable plot for the sake of the vivid descriptions of food, clothing, sight-seeing, and Leila's gradual adjustments.

Not a deep book, but an enjoyable one. Recommended.
[identity profile] alankria.livejournal.com
After reading Vandana Singh's story "Oblivion: A Journey" - aka the Ramayana IN SPAAAACE - in Clockwork Phoenix 1, I wanted her short story collection. It doesn't reprint that story, but offers ten others.

The stories range widely in genre, from "Conservation Laws", a story-within-a-story about a mission on Mars that took a strange turn, to the not-quite-everyday "Hunger" and "The Wife", to the wonderful "Three Tales from Sky River", a collection of far-future folklore of settlements on other worlds, and "Infinities", a story of advanced mathematics and real-world religious tensions.

"Delhi", one of my favourites is about a man who glimpses the past and future of Delhi, who sees a woman he's been given a picture of from a strange organisation that stops suicides by offering them an unusual reason to live in these pictures of individuals they must try to meet. He tries to find out whether he can interfere in the events and lives he glimpses - especially the mysterious woman's. Not all of it is resolved by the end. If only Singh would write a novel that starts with "Delhi" and keeps going!

The language is often beautiful, sometimes strange. I wish I had my copy with me so I could quote extensively; the only line I copied was: The apartment, with its plump sofas like sleeping walruses... (The second sentence of "Hunger".) Singh evokes her settings, usually India, such that they feel real, with all the attendant complexity, beauty and harshness, and so on.

Singh clearly loves India, loves writing about it and its people, while engaging critically with its expectations of women. In "The Woman Who Thought She Was A Planet", Kamala's husband, Ramnath, is concerned with the way her planetary state makes her act in public, almost more than he's concerned about her mental health. Towards the end, when events have turned quite fantastical, a judge taps Ramnath on the shoulder and tells him how reprehensible this is. It's probably more surreal than what Kamala is doing. In "The Tetrahedron", Maya develops a relationship with an interesting young man, based on discussion of the tetrahedron, and realises that she really doesn't want to follow the path already laid out for her: newly acquired fiance who doesn't especially like or understand her. In the appropriately titled "Thirst", Susheela is drawn to the water, away from her married life. The mysterious woman Urmila in "The Room on the Roof" is bitter that her friend Renuka, formerly a skilled sculptress, is now content to only inspire her husband; events later take a sinister turn. And so on.

Ian McDonald may fill his books with "exotic" detail, but Vandana Singh's India is the one I want to read about. Her work is intelligent, interesting and, above all, real - even when it's about a woman-naga or a mysteriously appearing alien shape.

This is one of the best books I've read recently. Highly recommended.
[identity profile] wordsofastory.livejournal.com
5. The Mahabharata: a Modern Rendering by, um, it's complicated? Trditionally ascribed to Vyasa (who is also a character in the story itself), probably actually composed by multiple people at various points in time, this version translated and edited by Ramesh Menon.

The Mahabharata is one of the two major Indian epics (the other being the Ramayana), and I've been meaning to read it for ages. And I'm very happy that I've now done so! (Though I guess that means I need to read the Ramayana next.) I picked this translation off of a recommendation on this community, and though I can't compare it to any others, I did really enjoy it. It's quite long- two volumes of about 800 pages each- but it's a fantastic, compelling story, full of all kinds of awesome stuff: gods and secret identities and earth-destroying weapons and reincarnations and gender-switching and so much more!

To completely over-simplify the plot, there are two sets of cousins: the Pandavas, who consist of five brothers who are all the sons of gods, and the Kauravas, who consist of a hundred brothers who may be demons. The eldest son of each group wants to inherit the throne, and the machinations and secret assassination attempts and broken promises eventually lead to Kurukshetra and the Greatest War Ever, which causes the end of the age. My favorite characters were Amba, who holds such a grudge that she kills herself and is reincarnated as a warrior to kill her enemy; Draupadi, who marries all five of the Pandava brothers and is amazingly fierce; and Kunti, who is able to summon gods, and who uses this to sleep with them.

There's so many characters and sub-plots and side stories and so forth that it's hard to even describe the Mahabharata. But it's AWESOME, and I loved it.
[identity profile] fiction-theory.livejournal.com



Title: Snakes And Ladders: Glimpses of Modern India
Author: Gita Mehta
Genre: Nonfiction
Page Count: 297
Publisher: Anchor Books

Reviewer's Note: In case anyone actually cares, I no longer link books to Amazon as I once did, but to Barnes & Noble. And as always, if any part or the whole of this review is inappropriate I will edit or delete it immediately at the moderator's request.


Review: Snakes and Ladders by Gita Mehta )
[identity profile] rachelmanija.livejournal.com
You need the soul of Chengiz Khan to survive a June afternoon in Delhi.

The streets are empty save a few hard-core urban warriors.

I am hunting for a book… Life seems to depend on it.


In this graphic novel in which precisely observed sketches of city scenes mix with indie-style caricatures and the occasional (often hilarious) bit of colored clip-art, a set of hapless intellectuals, one-theory-to-explain-everything fanatics, and vaguely alienated young people wander through Delhi, searching for used books, a cooler persona, true love, enlightenment, sexual potency, and a cup of tea.

There’s very little plot – it’s basically Slacker: Delhi - but I didn’t miss it, I was so charmed by the meticulous detail of the setting, Banerjee’s hipster sense of humor, and all the shout-outs to places and things I recall from my childhood: Phantom (The Ghost Who Walks) comics, used bookshops selling beat-up Perry Mason mysteries, mutton biriyani, Connaught Place, hippies (That morning Angrez Bosch arrived from Rishikesh, armed with advanced knowledge of energy pyramids), the call to prayer broadcast on loudspeakers, outdoor tooth-pullers, mango shakes: every page held a new hit of familiarity.

Corridor: A Graphic Novel
ext_22487: Fangirl and proud (books!)
[identity profile] glinda-penguin.livejournal.com
I've been holding off on posting for a while as I had four books by Chinese authors out of the library and I wanted to review them all together. However, Beijing Coma is really interesting but really long so it'll be a while before I finish that and I have other books to write up.

In the Pond - Ha Jin

Read more... )

Wild Ginger - Anchee Min

Read more... )

The Garlic Ballads - Mo Yan

Read more... )

Haroun and the Sea of Stories - Salmon Rushdie

Read more... )

Low Fat Meals in Minutes - Ainsley Harriott

Read more... )
ext_12911: This is a picture of my great-grandmother and namesake, Margaret (Default)
[identity profile] gwyneira.livejournal.com
#47: Jen Lin-Liu, Serve the People: A Stir-Fried Journey Through China: After graduating from journalism school in the U.S., Lin-Liu moved to China to freelance for American newspapers and magazines. She became obsessed (her word) with Chinese food and decided to sign up for Chinese cooking school...and that's only the beginning of her journey, which takes her through cooking school, one-on-one lessons, apprenticeships in noodle stalls and dumpling houses, and finally an internship in a gourmet Shanghai restaurant.

The book is mostly (and deliciously) about food, but Lin-Liu also talks about the people she meets along her journey, providing a fascinating slice of contemporary Chinese life and of China's recent history. She writes humorously and honestly, and oh, the food descriptions just made me drool! And she even includes recipes -- I may not try many (though I marked a few), but I loved reading them.


#48: Hannah Crafts, edited by Henry Louis Gates Jr., The Bondwoman's Narrative: In 2001, scholar Henry Louis Gates Jr. bought a previously unpublished manuscript from the 1850s, which he believed and it appears now is the first novel written by a fugitive slave. Gates provides a long and detailed introduction explaining the research he did into the manuscript's history, trying to find its author, and the introduction and notes are every bit as interesting as the novel itself.

The novel is told, in the first person, by a young slave who flees with her mistress when her mistress's terrible secret is discovered and who experiences a whole host of terrors before reaching safety in the North. Considered purely as a novel, it does leave something to be desired; it's structurally disorganized, and the plot is contrived and, like many Gothic novels, overly dependent on coincidence. Crafts borrows freely from a wide variety of sources, most notably Dickens' Bleak House, and it's interesting to see (using the extensive and useful notes) how she changes her borrowings in order to fit them in to her narrative. The Gothic bits (especially the cursed tree) are often very effective, and more than that, the viewpoint and opinions are fascinating. I found the book as a whole reasonably enjoyable on a narrative level and very interesting indeed as a historical document.


#49 & 50: Attia Hosain, Sunlight on a Broken Column, Phoenix Fled: Sunlight on a Broken Column tells the story of Laila, an orphaned girl growing up first in the orthodox home of her grandfather and her aunts, who keep purdah, and then in the less traditional home of her uncle and aunt. As her friends and cousins fight for their country's independence, Laila struggles for her own, especially when she falls in love with a man not approved by her family. Phoenix Fled is a collection of stories, each a short but vivid and rich bit of writing, with striking images and characters.

These are beautifully written, sensitive looks at Muslim life in India before and just after the 1947 partition of the country into Pakistan and India. Both books are deeply understanding of the conflict between Muslims and Hindus and between the old and new ways of life in India, and they made me wish Hosain had written more: as far as I can discover, these were her only two books.
[identity profile] wordsofastory.livejournal.com
48. B. B. Lal, The Sarasvati Flows On: The Continuity of Indian Culture

A short, easy-to-read (except for one chapter which seems to come from another book entirely) pop non-fiction summary of the Indus or Harappan Civilization, a Bronze Age culture located in the modern countries of India and Pakistan, which had its own writing system, cities, and art, and traded with cultures as far away as Mesopotamia. This is a very nice introduction to the topic, which covers most of the main points and has lots of nice photographs. It's shorter and probably a better book for the non-academic audience than most other summaries of the Indus I know of; on the other hand, Lal is seriously influenced by his personal politics in choosing what and how to discuss. But for someone who is new to the topic, this would be a great book.



49. Lisa Trivedi, Clothing Gandhi's Nation: Homespun and Modern India

A really fascinating investigation of one aspect of the Indian Independence movement. Gandhi was highly in favor of khadi- homemade thread and cloth- and thought that everyone who wanted to see India out from under British rule should not only use and wear khadi exclusively, but should spend half an hour a day making it. He thought that this would restore dignity to the working class, as well as provide a way for India's economy to escape the influence of the British factory system. Needless to say, not everyone actually wanted to spend that much time spinning thread, and the debates around the topic resemble the modern arguments over buying local/fair-trade/organic/etc. Trivedi provides a great account of these debates, the way they changed over time, and how khadi continues to function in the Indian political sphere; she even includes political cartoons about it! This is a non-fiction academic book, but very accessible; highly recommended.


50. Kajri Jain, Gods in the Bazaar: The Economies of Indian Calendar Art

Calendar art (aka bazaar art aka chromolithographs aka poster art) is a particular style of vividly colored, mass-produced art popular in India, particularly in calendars and advertisements, usually depicting religious images. Jain's book takes this often-ignored art seriously, investigating multiple realms of the topic: who produces calendar art? who buys it? how has it changed over time? what do artists say about it? how does it circulate? Despite the subtitle, she really doesn't address the economy of it, but instead focuses on meanings and interpretations. This book is another non-fiction academic title, and one a bit harder to get into than Clothing Gandhi's Nation. But it does have lots of pretty pictures!
[identity profile] wordsofastory.livejournal.com
33. Gautam Malkani, Londonstani

This book was wonderful. The narrator is Jas, who used to be a bit of a geek, but now is very determined to be a true hard South Asian man, and the story is told through his inner monologue, complete with his worries with trying to fit in and learn the right slang. The slang gives the story so much rhythm and distinctiveness; it was really enjoyable to read. The beginning of the book seemed slow- lots of scenes about Jas and his crew hanging out, checking out ladies, getting into fights, making small-time trouble with stolen cellphones- but when the plot started to develop, it took off very quickly, bringing together threads I hadn't even noticed where developing.

Despite the very fun, rollicking plot, there are a lot of big themes developed: how tradition becomes tradition, cultural appropriation, youth rebellion and mainstream culture, the choices people make in terms of understanding culture. And the end! I did not see the end coming at all, but it makes me want to reread the entire book to look at it with that knowledge. I thought it worked really well with the themes of the book.

Very recommended!
[identity profile] livii.livejournal.com
I've been meaning to join and start posting reviews for a month, so am doing a catch-up post now. I love the idea of challenging myself to consciously read more authors of colour, and so far it's been terrific.

1. The White Tiger, Aravind Adiga: reading this one inspired me to get on the ball and start the challenge in a meaningful way. Well-written (and remarkably light on first-time-author flaws), the main character is fascinating partly for his flaws, and the setting in modern India was vividly portrayed. Pretty much deserves the hype.

2. Inside the Helmet: My Life as a Sunday Afternoon Warrior, Michael Strahan with Jay Glazer: I'm a big NFL football nerd and Strahan was one of my favourites on my favourite team, the New York Giants. I couldn't recommend this book as a prose classic (there's a spelling mistake on the first page!) but generally it's a pretty insightful look into the life of a player in the NFL, the practices, the prep work, the game day mentality, the pain. I think Glazer (a black sportscaster/writer) was likely a big help in structuring the book and together the two of them pull off something fairly readable for the genre, and it's a quick, generally entertaining read. One complaint would be the rabid homophobia that unfortunately permeates Strahan's world and comes through several times in the book; at one point I just said "yes, Michael, it's okay, you're not gay, we get it!" But this is a complaint about the NFL culture in general, really.

3. The Absolutely True Diary of a Part-Time Indian, Sherman Alexie: I read this based on the comm's overwhelmingly positive reviews, and was glad I did. I had a few reservations about the book, mainly based on the fact I'm not generally a fan of modern YA and there were aspects in that sense that pinged against my tastes, but overall I thought the characterizations were fabulous, the story compelling, and by the end I was crying all over myself and couldn't stop.

4. Devil in a Blue Dress, Walter Mosley: this was also reading against genre for me, as I don't read much in the way of mysteries, but I was glad to have done so - this is a terrific book. The setting is fascinating, and Easy is a wonderful creation, especially the way he grows and changes as the book goes on, in a really organic way, that's sometimes a little unsettling, but in a thoughtful and challenging way. The style of how the mystery played out appealed to me, and the ending was very satisfying. A definite success.
ext_20269: (studious - reading books)
[identity profile] annwfyn.livejournal.com
Just a quick review - 'Arranged Marriage' is a series of short stories by Indian writer Chitra Bannerjee Divakaruni. They are good, but I rather wish I'd spread out my reading of them a little more, as Chitra Bannerjee Divakaruni's voice is a very distinctive one, and comes through very strongly in each story, which after a while makes the protagonists feel a little more samey than they really should.

However, they are really lovely stories, and did spark a really interesting discussion with my housemate this morning about different cultural expectations and the hurt that can be brought on by assuming that certain priorities/beliefs/expectations are universal. That isn't the only thing that these stories have to say, by any means, but it is something that came out of reading them.

Recommended, but I'd recommend dipping in and out of them a little more than I did.
[identity profile] sairaali.livejournal.com
I'm awful at doing writeups, so this list has just been sitting on my desktop for ages making me feel guilty for not doing writeups.

Soo, I will just put the list up with brief one-liners on whether I liked it or not, and I'd be happy to discuss more in comments.

5) Silver Pheonix by Cindy Pon
Fantasy, adventure, romance, dragons, goddesses, intrigue! What's not to love?

6) Bodies in Motion by Maryanne Mohanraj
This is more of a series of interrelated short stories than a novel. The stories follow three generations of two families who immigrate from Sri Lanka to the US. It portrays a mix of different immigrant experiences, although nearly all of the characters are solidly middle or upper-middle class. The style is very ethereal and dreamy.

7) The Brief Wondrous Life of Oscar Wao by Junot Diaz
This has been reviewed here a million times. I enjoyed it, but found the casual sexism a bit grating.

8) My Life as a Rhombus by Varian Johnson
If I thought Oscar Wao had a few problematic scenes wrt to gender, holy wow, it was nothing compared to this. Neither the narrator nor any of the characters question the basic assumption that a woman needs a man to love her and that only a domineering man could possibly handle loving a strong independent woman. The story itself was well crafted and tightly written, but I couldn't get past the sexism.

9) Shadow Speaker by Nnedi Okorafor
Love! A young girl with the ability to speak to shadows struggles with her community's distrust and fear of female Shadow Speakers, a result of her estranged father's dictatorial and regressive policies. When her father is publicly beheaded, her world is turned inside out, and she embarks on a quest of self-discovery that takes her far away from home, during which she discovers a major military plot against her home.

Girls with cat eyes! Talking camels! Magic plants that grow into houses! A girl meets a strange orphan boy with his own powers and secrets on her quest without a queasy romance subplot being introduced! Again, what's not to love?

10)And the World Changed: Contemporary Stories by Pakistani Women Ed: Muneez Shamshie
Definitely would recommend this. Like any anthology, some of the stories are so-so, some are fantastic.


And I know this comm is focused on books by POC, but I know there are a bunch of SFF fans here and I'd like to make some anti-recs. I found the following books at the $1 ARC sale at Wiscon, and I suggest giving them all a miss for skeevy race issues.
Stone Voice Rising by C Lee Tocci - pseudo-Natives with magic powers just for being Native, and also misappropriational mishmash of at least six different tribes' religious beliefs, that I could recognize. Kokopelli become Popokelli, a demented fae creature who betrays his species and sells out to the (literal) Devil.
Kop and Ex-Kop by Warren Hammond - Locals on a backwater economically depressed planet are being murdered by a serial killer from the orbiting space station, which has technology centuries advanced of what is available planetside. Oh and incidentally, all the space dwellers have perfect milky white skin and the planet dwellers are all dark. Bleck.
[identity profile] seekingferret.livejournal.com
19)R.K. Narayan's The Talkative Man, like The Vendor of Sweets which I previously reviewed, is a short portrait of Indian life, a comedy which thankfully doesn't end in a wedding. They feel similar in a sort of whimsical love of the people he's telling tales of, flaws and all. But they're very different books in character.

The Talkative Man's hero is T.M., a rich and idle ne'er-do-well who occupies himself telling other peoples' stories as both a journalist and a gossip until he gets sucked into participating in someone else's story. What struck me most about the story is how the most significant moments in the story are the moments when the Talkative Man is tongue-tied, whether when he is so cowed by the Commandant that he listens to her whole story or when he is so intent on avoiding injury that he refuses to tell the librarian of his granddaughter's plan to elope.

Without ever calling attention to it, Narayan steers the reader to a powerful conclusion about the significance of being talkative, and how to find the time and place for it. The more I read Narayan, the more I want to read more. He has so much to share with the reader.

When I finished this, I picked up Delany's Dhalgren. It scares the crap out of me. Wish me luck.

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